摘要
闽南建筑中的滴水兽是一种独特的辟邪兽类形象,其见证了清代以来闽南建筑风格的演变,同时也体现了东西方建筑文化的深度交融。对滴水兽的造型进行艺术性的解构,并运用形状文法对其进行再设计,以求创新并设计出符合当代审美的文创产品。通过现代设计手法的二次创作,形成独特的文创产品。通过对滴水兽造型的再设计,探索东西方传统纹样保护与创新的有效途径。同时提出传统文化创新设计的方法,为相关设计人员提供参考。
The gargoyle in southern Fujian architecture is a unique animal image that can ward off evil spirits.It has witnessed the evolution of architectural styles since the Qing Dynasty,and also refl ects the integration of Eastern and Western architectural cultures.This study will deconstruct the shape of the gargoyle and redesign it using shape grammar methods to create cultural and creative products that conform to contemporary aesthetics.Then through the secondary creation of modern design techniques,unique cultural and creative products are formed.This study is dedicated to exploring eff ective ways to protect and innovate traditional patterns by redesigning the gargoyle shape.It is hopeful that the methods for innovative design of traditional culture can provide reference for designers.
作者
张杨
吴泓璟
王莉绵
Zhang Yang;Wu Hongjing;Wang Limian(Fine Art and Design College,Quanzhou Normal University,Quanzhou 362000,China)
出处
《黑河学院学报》
2024年第11期159-161,165,共4页
Journal of Heihe University
基金
2023年泉州市社会科学规划项目课题“泉州蟳埔文化旅游服务设计研究——以‘簪花围’为例”(2023H30)。
关键词
滴水兽
形状文法
文创设计
纹样设计
gargoyle
shape grammar
cultural and creative design
pattern design
