摘要
为了使观众理解艺术的内涵,博物馆并不满足于分门别类的简单陈列,也试图采用构建生活场景的方式,在艺术家与观众之间搭起沟通的桥梁。本文在这一背景下,梳理不同时期博物馆的场景策划与设计手法,以艺术语境层域的发展变化为主线,从混沌一体到作品独立、艺术生产过程、社会历史系统层层递进,以更加开阔的视野揭示案例之间的逻辑关系,探讨的内容或能为国内博物馆空间策划与展陈设计提供可以借鉴的理论依据。
Besides merely displaying the works of art according to their categories,museums try to establish life scenes where artists and exhibition viewers can be connected together so that viewers could better understand the essence of art. With such notions, the essay examines cases concerning the planning and designing of the museum space in different time periods, focusing on the evolvement of the art context, conducting a step-bystep analysis from such perspectives as conceiving an idea to the making of independent works of art, to the art production, and to the social history. In so doing, the essay tries to reveal the relation among these cases from a broader horizon, hoping the analysis could provide theoretical support for domestic museums in space planning and exhibition designing.
出处
《故宫学刊》
2018年第1期345-353,共9页
Journal of Gugong Studies
