摘要
少数民族服装艺术在为各族群众提供遮体御寒的生活需要之外,还体现了各族人民的审美情趣和艺术情怀。少数民族服装作为一种文化艺术现象,其造型丰富多样,手法精巧绝伦,为人类艺术的发展提供了丰富的造型资源和手法借鉴。然而,在当代中国油画艺术中,以西方造型手法为主的艺术霸权同样存在,滞碍了中国当代油画艺术的创新之路。有鉴于此,吸收、借鉴少数民族服装艺术造型手法,以本土性、民族性的图像艺术造型及其构图手法来提升中国油画艺术的民族特色和创作质量,增强中国油画艺术创作的艺术表现力、文化冲击力和历史感染力,成为抵御西方霸权话语下文化艺术渗透的可行出路。
The ethnic minorities clothing art not only provides the cover and warm need in their lives for the masses of all nationalities,but also reflects the aesthetic taste and artistic feelings of people of all ethnic groups. The Ethnic minorities clothing is a kind of a cultural and artistic phenomenon. It has rich variety of shapes and the delicate and unsurpassed tactics. It provides a rich shapes resource and technique reference for the development of the human art. However,in the contemporary Chinese oil painting art, there is also a art hegemony predominantly in the western modelling technique,which blocks the innovation path of Chinese modern oil painting art. Because of this,the absorption and reference to the ethnic minorities clothing art shapes and gimmicks,improving the quality of national characteristics and the creation of the Chinese oil painting art with image of aboriginality,nationality art modelling and composition technique,and strengthening the Chinese oil painting art history of artistic expression, cultural impact and influence, becomes the inevitable way of infiltration under the hegemonic discourse of the western culture art.
出处
《贵州民族研究》
CSSCI
北大核心
2015年第3期118-121,共4页
Guizhou Ethnic Studies
关键词
少数民族服装
艺术造型手法
当代油画艺术
优势
运用
ethnic minorities clothing,Artistic modelling and technique,modern oil painting art,andvantage,using
