摘要
历史地看,当代小说已走出传统小说的认知领域,形象构造的变形导致意义空白;写实的冷静、客观造成感性的模糊;世俗文学的杂语喧哗和先锋小说的嬗变使形象意义消解;"人"的内涵和意义多向性,有使"人"逐渐抽象的倾向。这一切,显示了当今小说逐渐抽象的倾向。这一切,显示了当今小说逐渐由内容之实走向文本的玄远。就抽象与具象的关系而言,当今小说出现两极:一极是实之又实,一极是虚之又虚。两极的分离,意味着当代小说不能虚实相生,从有限体现无限,从"意义追求"走向"意义创造"。当今小说这种有"空灵"趋向而没有达于空灵的事实,为当代文学在新世纪初的发展提供了一面镜子。
The modern novels have transcended the cognitive scope of the conventional novels, and the metamor phosis of the imagery in them leads to the blank meaning; the coldness had objectivity in realism has dimmed the perception; the sounds of the secular literature and the changes of the vanguard novels have dissipated the meanings of imagery; the pluralism of human implicature gradually makes man abstract.The separation between these two poles means that the modern movel cannot harmonize the vacancy and the fullness, doesn't embody the limitlessness within limitation, doesn't go into' meaningful creation' from' meaningful aspiration.' The modern novel has the tendency of vacancy but the reality of vacancy has not been yet reached, and this history of the modern novel has set a mirror to the development of modern literature at the first part of this century .
出处
《安庆师范学院学报（社会科学版）》
2002年第6期70-73,共4页
Journal of Anqing Teachers College(Social Science Edition)
关键词
小说
空灵趋向
局限性
现代
the modern novel, the tendency of vacancy, limitation.
