摘要
中国文学的现代化 ,是传统中国社会进入现代社会以来 ,文学自身在中西文化交融冲突和继承民族本土文学传统的大背景中 ,追求能体现文学“现代性品格”的历史过程。左翼文学在中国现代史上的发生 ,是多种因素交互作用的结果。以“左联”为中心的左翼文学思潮与创作 ,形成了新的文学传统和创作模式 ,对解放区文学、十七年文学、“文革”文学、新时期文学以及当下动态发展的中国文学产生了重大而深远的影响。左翼文学观念在不同的历史时期有不同的表现形态 ,展现出与中国文学现代化追求的复杂而曲折的关系。鲁迅、茅盾和一些对文学艺术本质有着精深把握的左翼理论家、创作家对左翼文学精神的理解及其创作 ,真正代表左翼文学全部内涵的现代文学意识 ,同一度造成当代文学发展之路窄化甚至停滞的极“左”文艺思潮、文学观念有本质区别。论文粗略勾勒了左翼文学精神对 2 0世纪中国文学整体面貌和文学现代化的影响 。
The modernization of the Chinese literature is a process of emergence of the modern characteristics in literature against a background of conflict and assimilation of the Western culture and the traditional Chinese culture; as such, the Leftist literature made its headway in the interactions of various cultural and social elements, and, during the periods of the Revolution War, the 17 years after 1949 Communist Revolution, the 'Cultural Revolution', the 'New Era' and even the contemporary development, contributed considerably to the literary creation and profoundly influenced the Chinese zeitgeist. Despite its continuity, however, the Leftist literature manifested unique features during different period: those who had a truly insightful understanding of the functions of literature, LU Xun and mao Dong among them, embodied the spirit of literary modernization while those who took literature as political instrument, as was typified by the Post Revolution writers, distorted and even totally neglected the spirit of literature. The present paper is a contrastive analysis of these two trends.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2003年第1期25-33,共9页
Journal of Lanzhou University（Social Sciences）
基金
国家社科基金 (0 2 BZW0 42 )资助 .
关键词
左翼文学精神
20世纪中国文学
现代化
Leftist literary spirit
20th century Chinese literature
modernization
