摘要
源自于歌词的声乐表演属性,诗歌与歌词表现出"文本中介与真人中介""体验真实与装扮表演""书面语言与人声话语"等方面的巨大差异,由此产生了歌词较之诗歌独特的角色意识和丰富的角色类型。当然,声乐展演与歌词角色的关系是相辅相成的,除了声乐展演加之歌词创作在角色设计上的制约之外,声乐展演也反过来受到歌词业已成形的角色设计的影响。
With a property of vocal performance, lyrics are greatly different from poetry. The differences between poetry and lyrics are presented as'text medium versus real person medium','real experience versus dressed up performance','written language versus vocal discourse', etc. Apparently, lyrics have unique role consciousness and richer role types compared with poetry. In fact, vocal performance and the role of lyrics supplement each other. Vocal performance restricts lyrics composing in role design. Conversely, the role design with composed lyrics influences vocal performance.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2018年第4期190-199,共10页
Journal of Lanzhou University（Social Sciences）
基金
西南大学中央高校基本科研业务费专项资金资助项目"中国新诗文体形式
传播接受及史料整理研究"(SWU1709105)
关键词
歌词
诗歌
声乐
角色意识
声乐展演
lyrics
poetry
vocal music
role consciousness
vocal performance
