摘要
以张晓刚为代表的一批当代中国艺术家,在作品处理上杂糅了前现代、现代和后现代以及中西方各个时期的多种绘画风格与技法,在内容、形式、风格、主题上形成了具有本土色彩的思想和语汇。这种尝试告别了纯粹的西方传统油画与现代油画的视觉体验,更不同于传统中国绘画的笔墨与人文关怀,是一种不别过往、面向未来的历时性与共时性同存的别现代艺术的典型代表。其不足之处在于缺乏思想、生搬照抄以及模仿复制西方美术作品等,别现代"跨越式停顿"这样一种新思想,将为中国当代美术建立真正具有民族性、世界性的美学范式和绘画语言提供新的启示和路径。
Represent by Zhang Xiaogang,a lot of contemporary Chinese artists prestige and influential oversea mix Chinese and western painting styles and techniques featured in premodern,modern and postmodern period.From the content,form,style and theme,their oil painting works have formed independent style and embodied self-native thoughts and vocabularies.The works leave the visual experience on pure western traditional oil painting and modern oil painting,different from the pen and ink and the humanistic care of traditional Chinese painting,which reveals'Bie-modern'art that the diachronic and synchronic art form can coexist.But there are still some problems in China contemporary art,such as lacking thoughts,copying and imitating western arts,etc.The new idea of'Leaping-Forward Pause'will provide inspiration and new path for contemporary arts to establish a new aesthetic paradigm and painting language which is characteristic with nationality and cosmopolitanism.
出处
《上海文化》
CSSCI
北大核心
2017年第8期78-88,126,共12页
Shanghai Culture
基金
国家社科基金项目"别现代语境中的英雄解构与建构问题研究"(15BZW025)
上海高校高峰学科建设计划资助"中国语言文学"
上海师范大学艺术学理论重点学科(A-0233-16-002014)的阶段性成果
