摘要
空白、虚实关系是中国绘画美的一种表现形态,也是中国绘画美学的重要课题。中国画特别强调空白、以虚映实的处理手法。艺术美的最高境界与空白、虚实有密切的关系。中国绘画美的本质在某种程度上是空白、虚实的创造。
Blank, ideological and practical works are expressive configurations of arts. Chinese painting greatly emphasizes blank, ideological and practical work s, which is also a very important issue in Chinese Painting Aesthetics. The idea l state of art aesthetics has a close relationship with blank, ideological and p ractical works. The essence of Chinese painting is to some extent, the creation of blank and ideological and practical work.
出处
《临沂师范学院学报》
2003年第4期77-79,共3页
Journal of Linyi Teachers' College
关键词
中国
绘画
空白
虚实
魅力
China
painting
blank
ideological and practical charm
