摘要
晚唐五代中国佛教重心开始南移,本文较为系统地分析了十世纪东南吴越国石刻佛教造像的造型及其尊像组合,归纳造像特征,指出五代宋初的吴越国首府杭州流行着一种富有地域、时代性的佛教造像样式('杭州样式')。
During the ninth and tenth centuries,South of China became more important in the area of Buddhist art.The author analyses the iconography and combination of stone carved Buddhist images from the Wuyue kingdom(907—978)in the tenth century southeast China,and concludes their characteristics.He realizes that,in Hangzhou,the capital of Wuyue kingdom,there was a type of Buddhist images with special iconographic characteristics,which could be called'the Style of Hangzhou'.
出处
《石窟寺研究》
2019年第1期155-190,共36页
Studies of the Cave Temples
关键词
吴越国时期
石刻佛教造像
杭州造型
尊像组合
Wuyue kingdom period
stone carved Buddhist images
Hangzhou iconography
combination of images
