摘要
新时期文化生态与中国戏剧人内心深处的话剧与戏曲趋于整合的愿景具有内在联系。在中西交流、互补、融通的文化路径指引下中国话剧界与戏曲界出现了打通之举;在中国文化发展的强大的内驱力推动下,中西戏剧文化的对话与中国戏剧整合趋势的形成之间存在密切的关系;打通与对话引发中国戏剧在思维框架和审美观念方面发生了深刻的变化。由此形成新时期中国戏剧整合趋势的思想基础和理论前提。
This paper discusses the cultural ecology of the New Era, and the idea of synthesis of modern Chinese theatre with traditional Chinese Xiqi. The paper discusses three themes:synthesis of theatre styles in the context of the communication, reciprocity, and mutuality between China and the West;the dialogue between Chinese and Western theatre promoted by the inner driving in the development of Chinese culture, and especially the relationship between the Chinese-Western dialogue and the trend of synthesis in Chinese theatre;and changes in the thinking mode and aesthetics of Chinese theatre as consequences of the aforementioned synthesis and dialogue. In this way the theoretical foundation of the trend of synthesis in Chinese theatre is laid.
出处
《戏剧艺术》
CSSCI
北大核心
2019年第1期26-37,共12页
Theatre Arts
关键词
打通
对话
文化内驱力
双向连体思维
上海戏剧群落
reciprocity
dialogue
the inner driving of a culture
the binary thinking
the theatrical community in Shanghai
