摘要
进入20世纪以后,西方美学界出现了"重估身体"的思潮,英国著名左翼批评家伊格尔顿也介入其中并做出了重要贡献。通过对美学(Aesthetics)的词源学分析,他揭示了一个久被遮蔽的事实:没有身体,就没有美学(感性学),因此,美学原初地属于身体话语。然而,由于劳动分工所造成的精神/物质、心/身、理性感性二分法,这种深层关系迟迟未被敞开,主流文化视域中的身体常常只能展示其客体形貌。为了克服这个局限,他引入了马克思和梅洛-庞蒂所倡导的身体-主体概念,建构出了自己的主体论身体美学。
Since the 20 th century,a trend emerged in Western aesthetics to reappraise the body,which drew in the English well-known left-wing critic Terry Eagleton,and he made major contributions in the area.His etymological analysis of the word'aesthetics'reveals a long covered fact:Aesthetics would not be possible without the body,and therefore,aesthetics is always a physical term.However,this fact of relationship was not allowed to be uncloaked in the dichotomy of spirit/matter,mind/body,and ration/sense,all produced as a result of the division of labour,and what could be seen of the body in the dominant culture is only the objective aspect.To break through these limitations,Eagleton introduced the concept of subjective body,advanced by Marx and Maurice Merleau-Ponty,and developed it into a subjective aesthetics of the physical body.
出处
《玉溪师范学院学报》
2015年第11期1-7,共7页
Journal of Yuxi Normal University
基金
国家社科基金后期资助项目<西方美学中的主体观和身体意象>(项目编号:12FZW052)的阶段性成果
关键词
身体—主体
劳动分工
主体论
身体美学
body/subject
labour division
subject theory
body aesthetics
