摘要
汉代墓葬中的壁画、画像石 (砖 )所描绘的内容无不是羽化思想的体现 ,而羽化图像的形成与发展自有其内在和外在的因素。作为外在因素的外来文明一直是汉代艺术发展演变的重要外部环境 ,而本土的鸟图腾崇拜以及神仙信仰等内因却是羽化图像迅速发展的必备土壤 ,他们在相互影响下一同孕育出扑朔迷离的汉代“羽化”艺术。
Most of the mural painting and picture on stone in Han dynasty embodies the thought of ascending to heaven and becoming immortal.There are internal and external factor for the Image of ascending to heaven and becoming immortal forming and development.Then,as the external factor,the outside civilization is the most important exterior environment for the art of Han dynasty development and evolvement.Bird totem and immortal faith which from native land is the internal factor,it is the indispensable soil for the image of ascending to heaven and becoming immortal prompt development.Under the effect of each other they gestated complicated and confusing art of Han dynasty,which is image of ascending to heaven and becoming immortal.
出处
《南都学坛（南阳师范学院人文社会科学学报）》
2004年第2期11-15,共5页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
