摘要
"双性同体"这一概念源自女性主义文学批评,用它来喻指原文作者与译者的新型关系。原作者和译者之间关系演变的过程告诉我们,传统的基于"忠实"观指导下的原作者 译者的关系不可避免地被新的关系所替代,但新的学科研究范式指导重铸后的作者 译者的关系亦有其不合理之处。唯有提倡作者 译者间"双性同体"关系新模式,才能在两者之间寻求最佳平衡,译者的主体性才能得到真正的发挥。
A borrowed concept of 'androgyny' from feminists' criticism is employed here as a trope to refer to a new type of relations construed between authors and translators. After a review of its evolvement, it is accordingly indicated that an inevitable shift of relations between authors and translators is destined to occur under new research paradigms. To advocate 'androgyny' between authors and translators seems a better means to maintain a balance between those two poles and further to bring translators' subjectivity into a full play.
出处
《上饶师范学院学报》
2004年第2期99-102,共4页
Journal of Shangrao Normal University
