摘要
太阳是人类最容易观察到的天体之一,许多民族都有因太阳崇拜而产生的想象与神话。古代两河流域与中国汉代都有自己表达“太阳崇拜”的方式,同时也创造出各具特色、与太阳有关的神话图式。运用图像学研究法与对比研究法对艺术作品、古代文学材料进行研究,可以发现“太阳图式”在古代两河流域与中国汉代美术的发展中会在:太阳神话的认知、太阳图式的演变、太阳在图像中的位置安排与太阳神的“神性”表达等方面表现出一般性与特殊性。
The sun is one of the celestial bodies most easily observed by human beings. Many ethnic groups have imagination and myths related to the worship of the sun. The ancient Mesopotamians and Chinese people of Han Dynasty both had their own ways to express the “sun worship”, and also created various characteristics of sun-related mythological schema. Through researching the art works and ancient literature with Iconology and Comparative Studies, it can be found that the “sun schema” in the ancient Mesopotamian culture and the development of Chinese art in Han Dynasty. It will show the universality and particularity in the cognition of the sun myth, the evolution of the sun schema, the position arrangement of the sun in the image and the expression of the “divinity” of the sun god.
出处
《艺术研究快报》
2023年第2期74-83,共10页
Art Research Letters