CROSS-CULTURAL interaction is one of contemporary art's many current trends. China's current art scene is characterized by a variety of phenomena; artists have presented a juxtaposition of humanistic attention...CROSS-CULTURAL interaction is one of contemporary art's many current trends. China's current art scene is characterized by a variety of phenomena; artists have presented a juxtaposition of humanistic attention and spiritual themes. Although contemporary art celebrates the pluralistic interplay between culture, as well as a commodity economy, concept transformation,展开更多
ZHANG Zhaohui was born in the 1970s. Her studio is piled high with paintings, and she uses a corner of it to arrange withered sunflowers. "Although withered, they are still eternal and vibrant," she says. Zh...ZHANG Zhaohui was born in the 1970s. Her studio is piled high with paintings, and she uses a corner of it to arrange withered sunflowers. "Although withered, they are still eternal and vibrant," she says. Zhang likes to paint sunflowers, living and withered, because she equates them with life.While studying at the Central Academy of Fine Arts, Zhang went to the countryside to sketch. Exposure to nature while she展开更多
文摘CROSS-CULTURAL interaction is one of contemporary art's many current trends. China's current art scene is characterized by a variety of phenomena; artists have presented a juxtaposition of humanistic attention and spiritual themes. Although contemporary art celebrates the pluralistic interplay between culture, as well as a commodity economy, concept transformation,
文摘ZHANG Zhaohui was born in the 1970s. Her studio is piled high with paintings, and she uses a corner of it to arrange withered sunflowers. "Although withered, they are still eternal and vibrant," she says. Zhang likes to paint sunflowers, living and withered, because she equates them with life.While studying at the Central Academy of Fine Arts, Zhang went to the countryside to sketch. Exposure to nature while she
