Based on the discussion of gardens in song dynasty,the artistic characteristics of gardens in southern song dynasty are analyzed from the four perspectives of poetry and painting style,stone piling and water designing...Based on the discussion of gardens in song dynasty,the artistic characteristics of gardens in southern song dynasty are analyzed from the four perspectives of poetry and painting style,stone piling and water designing,architectural form and plant cultivation.The gardens of southern song dynasty embody the regional and cultural characteristics of Jiangnan.The aesthetic appreciation of gardens infl uenced by the style of poetry and painting highlights the artistic characteristics of false or true complement,soft and elegant,and tends to be popularized.Mountain stones are stacked into peaks and waters are designed according to local conditions.The architectural forms are strewn at random,exquisite and elegant.Landscape plants present varying sceneries with changing view-points,and naming echo with scenes to enhance the artistic value of landscape.It is hoped that the status of garden art of southern song dynasty in the history of Chinese classical gardens can be evaluated more scientifi cally and objectively through the research,and some reliable theoretical basis can be provided for modern garden design.展开更多
The military situation of the thirteenth century required that the Song and the Mongols construct a great number of defensive works,relying on the mountains or facing the rivers,in the mountainous Sichuan Province and...The military situation of the thirteenth century required that the Song and the Mongols construct a great number of defensive works,relying on the mountains or facing the rivers,in the mountainous Sichuan Province and Chongqing.In recent years,a special kind of explosive firearms,huolei火雷(bombs),was unearthed in the large-scale excavations of the site of Diaoyu Fortress钓鱼城in Hechuan District合川and the Baidicheng白帝城in Fengjie County奉节,both of which were defensive works constructed in this mountainous area during the Southern Song dynasty.In addition,the ruins of kilns and the clay molds that were relevant to the casting of iron huolei have been discovered at the site of Baidicheng,indicating that these huolei might have been produced locally.The Southern Song iron huolei unearthed in Chongqing are the most direct evidence of the evolvement of gunpowder and firearms,and are of great significance to the history of science and technology,in particular the history of military technology.展开更多
Rockery building and stone stacking is a technique commonly used in building of classical gardens.Its emergence allows the fairy thought of"one pond and three mountains"to be reflected in different classical...Rockery building and stone stacking is a technique commonly used in building of classical gardens.Its emergence allows the fairy thought of"one pond and three mountains"to be reflected in different classical gardens.In the Northern Song Dynasty,the style of rockery building and stone stacking in the royal garden was an artistic climax in the history of the garden,and the technique of rockery building and stone stacking in Genyue Royal Garden was considered as the beginning of specialization.Through sorting out the records of the royal gardens in the Song Dynasty,this paper summarized the content of studying the royal gardens of the Song Dynasty,and systematically sorted out the development history of the techniques and styles of the royal gardens of the Song Dynasty and applied them into construction of some gardens.展开更多
“Emperor’s Edict”refers to the writing of emperor himself.In the context of serving as official document,it refers to the special writ issued by emperor for sake of administering national affairs.In the official do...“Emperor’s Edict”refers to the writing of emperor himself.In the context of serving as official document,it refers to the special writ issued by emperor for sake of administering national affairs.In the official document system of Song Dynasty,“Emperor’s Edict”had always been an attention of the scholars and officials at that time due to its unusual functions in terms of drafting,promulgation and power.The Southern Song Dynasty was generally conceived by academic circles as a period when the“Administration by Emperor’s Edict”was gradually phased out.We did observe,however,with“Emperor’s Edict”placed in historical panorama of the early years of Southern Song Dynasty,an ever-strengthened power and prowess of“Emperor’s Edict”as backlit by several historical incidents such as Emperor Gaozong’s controlling and manipulating by“Emperor’s Edict”of the national armies.It reflects the political truth of strengthened imperial power in the Southern Song Dynasty.Hence,we can have access to another facet of the politics of the Southern Song Dynasty.展开更多
The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation ...The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation with miscellaneous themes emerged in the the resurgence era of Southern Song Dynasty.This phenomenon was not only influenced by new ideas in poetics and the studies of Confucian classics in the Southern Song Dynasty but also directly stemmed from the resistance against the poetic system represented by the Jiangxi poetry school.The group poems based on evocation with miscellaneous themes of poets such as Lu You,Yang Wanli,and Fan Chengda exhibit a tendency opposite to the Jiangxi poetic style in terms of their overall characteristics.The rise of evocation with miscellaneous themes poems in the poetic circle of the the resurgence era of Southern Song Dynasty holds significant importance in the history of Song poetry.It represents a rebellious and rule-breaking force that fundamentally protests against the various rules and boundaries established by Song poetics,marking a revolution in the norms of Song poetry.展开更多
The oxide contents of TiO2, MnO, SrO and Fe2O3 in the body and graze layers of the Jiao-Tan-Xia (JTX) and Lao-Hu-Dong (LHD) porcelains in Southern Song Dynasty (1127-1279 A.D.) have been determined using an In- ternat...The oxide contents of TiO2, MnO, SrO and Fe2O3 in the body and graze layers of the Jiao-Tan-Xia (JTX) and Lao-Hu-Dong (LHD) porcelains in Southern Song Dynasty (1127-1279 A.D.) have been determined using an In- ternational Eagle-II μ-probe EDXRF spectrometer. The results show that the contents in the body are much different from those in the graze one. Therefore, the transient thickness (TT) between the body and graze layers can be meas- ured through determination of a distance of the drift change in the chemical contents. The TT average for the JTX porcelains is 161μm, while that for the LHD porcelains is 258μm, which are consistent with a range of 0.15-0.3mm in the Ru-Yao porcelains. The different TT is related to the variances in firing temperature and raw material for manu- facturing the respective porcelains.展开更多
文摘Based on the discussion of gardens in song dynasty,the artistic characteristics of gardens in southern song dynasty are analyzed from the four perspectives of poetry and painting style,stone piling and water designing,architectural form and plant cultivation.The gardens of southern song dynasty embody the regional and cultural characteristics of Jiangnan.The aesthetic appreciation of gardens infl uenced by the style of poetry and painting highlights the artistic characteristics of false or true complement,soft and elegant,and tends to be popularized.Mountain stones are stacked into peaks and waters are designed according to local conditions.The architectural forms are strewn at random,exquisite and elegant.Landscape plants present varying sceneries with changing view-points,and naming echo with scenes to enhance the artistic value of landscape.It is hoped that the status of garden art of southern song dynasty in the history of Chinese classical gardens can be evaluated more scientifi cally and objectively through the research,and some reliable theoretical basis can be provided for modern garden design.
文摘The military situation of the thirteenth century required that the Song and the Mongols construct a great number of defensive works,relying on the mountains or facing the rivers,in the mountainous Sichuan Province and Chongqing.In recent years,a special kind of explosive firearms,huolei火雷(bombs),was unearthed in the large-scale excavations of the site of Diaoyu Fortress钓鱼城in Hechuan District合川and the Baidicheng白帝城in Fengjie County奉节,both of which were defensive works constructed in this mountainous area during the Southern Song dynasty.In addition,the ruins of kilns and the clay molds that were relevant to the casting of iron huolei have been discovered at the site of Baidicheng,indicating that these huolei might have been produced locally.The Southern Song iron huolei unearthed in Chongqing are the most direct evidence of the evolvement of gunpowder and firearms,and are of great significance to the history of science and technology,in particular the history of military technology.
文摘Rockery building and stone stacking is a technique commonly used in building of classical gardens.Its emergence allows the fairy thought of"one pond and three mountains"to be reflected in different classical gardens.In the Northern Song Dynasty,the style of rockery building and stone stacking in the royal garden was an artistic climax in the history of the garden,and the technique of rockery building and stone stacking in Genyue Royal Garden was considered as the beginning of specialization.Through sorting out the records of the royal gardens in the Song Dynasty,this paper summarized the content of studying the royal gardens of the Song Dynasty,and systematically sorted out the development history of the techniques and styles of the royal gardens of the Song Dynasty and applied them into construction of some gardens.
文摘“Emperor’s Edict”refers to the writing of emperor himself.In the context of serving as official document,it refers to the special writ issued by emperor for sake of administering national affairs.In the official document system of Song Dynasty,“Emperor’s Edict”had always been an attention of the scholars and officials at that time due to its unusual functions in terms of drafting,promulgation and power.The Southern Song Dynasty was generally conceived by academic circles as a period when the“Administration by Emperor’s Edict”was gradually phased out.We did observe,however,with“Emperor’s Edict”placed in historical panorama of the early years of Southern Song Dynasty,an ever-strengthened power and prowess of“Emperor’s Edict”as backlit by several historical incidents such as Emperor Gaozong’s controlling and manipulating by“Emperor’s Edict”of the national armies.It reflects the political truth of strengthened imperial power in the Southern Song Dynasty.Hence,we can have access to another facet of the politics of the Southern Song Dynasty.
基金research project "Study on the Category of Rhapsodies"(21FZWB101)funded by the National Social Science Fund of ChinaAnhui Provincial Social Science Planning Project "The Discussion Tradition of Pre-Tang Poetry"(AHSKHQ2020D09).
文摘The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation with miscellaneous themes emerged in the the resurgence era of Southern Song Dynasty.This phenomenon was not only influenced by new ideas in poetics and the studies of Confucian classics in the Southern Song Dynasty but also directly stemmed from the resistance against the poetic system represented by the Jiangxi poetry school.The group poems based on evocation with miscellaneous themes of poets such as Lu You,Yang Wanli,and Fan Chengda exhibit a tendency opposite to the Jiangxi poetic style in terms of their overall characteristics.The rise of evocation with miscellaneous themes poems in the poetic circle of the the resurgence era of Southern Song Dynasty holds significant importance in the history of Song poetry.It represents a rebellious and rule-breaking force that fundamentally protests against the various rules and boundaries established by Song poetics,marking a revolution in the norms of Song poetry.
基金Supported by the City University of Hong Kong Foundation (No.9010007) the Innovation Project Funds of CAS (Nos. KZCX2-SW-118+1 种基金 KZCX3-SW-120) the NKPBR Project Fund (No.2001CCB00100) and the SKLLQG0324 Foundation.
文摘The oxide contents of TiO2, MnO, SrO and Fe2O3 in the body and graze layers of the Jiao-Tan-Xia (JTX) and Lao-Hu-Dong (LHD) porcelains in Southern Song Dynasty (1127-1279 A.D.) have been determined using an In- ternational Eagle-II μ-probe EDXRF spectrometer. The results show that the contents in the body are much different from those in the graze one. Therefore, the transient thickness (TT) between the body and graze layers can be meas- ured through determination of a distance of the drift change in the chemical contents. The TT average for the JTX porcelains is 161μm, while that for the LHD porcelains is 258μm, which are consistent with a range of 0.15-0.3mm in the Ru-Yao porcelains. The different TT is related to the variances in firing temperature and raw material for manu- facturing the respective porcelains.
