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“美”的转向与超越:庄子“悲态”美学思想阐微
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作者 王康宁 薛振宇 《东方论坛(青岛大学学报)》 2024年第1期43-53,共11页
对“悲态”书写的淋漓尽致以及对待“悲态”的积极态度,共同促成庄子“悲态”美学的厚意深旨。理想人生的实现既以对“悲态”的消解为必然途径,也以对“悲态”的沉淀与升华作为根本凭藉。正视“悲态”并在其中找寻与安置自我,进而消减... 对“悲态”书写的淋漓尽致以及对待“悲态”的积极态度,共同促成庄子“悲态”美学的厚意深旨。理想人生的实现既以对“悲态”的消解为必然途径,也以对“悲态”的沉淀与升华作为根本凭藉。正视“悲态”并在其中找寻与安置自我,进而消减因自然环境恶化、生态环境破坏、生存环境逼仄以及精神世界不断塌陷与沦丧的苦恶之果,是现代人实现个体和社会价值亟待面对与回应的课题。 展开更多
关键词 庄子 “悲态” 美学
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Women on the Cross: A Study of the Heroines of George Eliot's Three Major Novels
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作者 ZHAI Yong-li 《Journal of Literature and Art Studies》 2012年第1期269-276,共8页
Women's suffering in George Eliot's three major novels in part results from, on the one hand their consciousness of their futile struggling for something that is incompatible with the society, and on the other, thei... Women's suffering in George Eliot's three major novels in part results from, on the one hand their consciousness of their futile struggling for something that is incompatible with the society, and on the other, their eventual renunciation of their original dreams. Generally speaking, no matter what overt images they assume, Madonna or madwoman, no matter which period they are in, no matter how hard they try, suffering more or less characterizes their normal living state and they generally have to face a doomed fate. However, Eliot is by no means a pessimist, and she will never let her heroines subject to their fate passively. In suffering, these heroines still believe in love and humanity. They keep their eyes on the misery of the world with great sympathy. They suffer for themselves, and more for others. Suffering is the source of their strength and their way to save the corrupted souls of their male counterparts. They put themselves on the cross of suffering, and in this process they eventually are elevated as Christ figures. Suffering, as Eliot has wished, serves as a baptism, a regeneration, and the initiation into a new state for the sufferers and also a salvation to the world. 展开更多
关键词 SUFFERING SALVATION George Eliot WOMEN
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