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从现实到纪实——对佐临及其《表》的解读
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作者 黄望莉 《当代电影》 CSSCI 北大核心 2008年第5期79-83,共5页
佐临在20世纪40年代的中国电影史上是一位值得关注的导演,他在"文华"期间共创作了五部电影作品,其中尤其以电影《表》备受国内外学者的关注。但是对于他在这部作品中"纪实性"影像产生的原因目前还未见到相关研究。... 佐临在20世纪40年代的中国电影史上是一位值得关注的导演,他在"文华"期间共创作了五部电影作品,其中尤其以电影《表》备受国内外学者的关注。但是对于他在这部作品中"纪实性"影像产生的原因目前还未见到相关研究。本文通过对文本的解读,就这部作品出现的时代背景及其形式特点最终形成的原因予以细致的梳理,并与他的"写意戏剧观"两厢对比,从中探寻作者在时代与创作间的双重抉择。 展开更多
关键词 佐临 《表》 纪实 “文华”电影
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In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration
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作者 Elzbieta Wiacek 《History Research》 2012年第6期398-414,共17页
The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil (as i... The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil (as it often perceived in Western Europe) but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author's presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies: Sewer (1956) by Andrzej Wajda, Eroica (1956) by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum. 展开更多
关键词 the Warsaw Uprising communicative memory cultural memory museum NARRATION
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