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“非个人化”:近年写实小说创作叙述话语的人文立场 被引量:1
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作者 焦明甲 张宝春 《长春大学学报》 2002年第4期70-73,共4页
通过对近年写实小说在创作上的态度、方式、方法、模式等方面的分析,揭示出近年写实小说创作叙述话语“非个人化”的人文立场,并指出这种人文立场必将为当下中国文学创作的发展带来一次较大契机。
关键词 小说创作 非个人化 写实小说 叙述话语 人文立场 后现代主义写作 理性批判精神
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The Shadow Lines as a Post Modem Novel
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作者 P. Pradeep R. Poli Reddy 《Journal of Literature and Art Studies》 2015年第11期1035-1041,共7页
Amitav Ghosh is one the most remarkable writers of the postmodernism era. He excelled in this era with his trend of magic realism. The Shadow Lines is a story told by a nameless narrator in recollection. It's a non l... Amitav Ghosh is one the most remarkable writers of the postmodernism era. He excelled in this era with his trend of magic realism. The Shadow Lines is a story told by a nameless narrator in recollection. It's a non linear tale told as if putting together the pieces of a jigsaw puzzle in the memory of the narrator. This style of writing is both unique and captivating; unfolding ideas together as time and space coalesce and helping the narrator understand his past better. Revolving around the theme of nationalism in an increasingly globalized world, Ghosh questions the real meaning of political freedom and the borders which virtually seem to both establish and separate. The novel traverses through almost seventy years through the memories of people, which the narrator recollects and narrates, giving their viewpoint along with his own. Though the novel is based largely in Kolkata, Dhaka, and London, it seems to echo the sentiments of whole Southeast Asia, with lucid overtones of Independence and the pangs of Partition. 展开更多
关键词 POSTMODERNISM magic realism blend of themes unique style of narration
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