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从神话美学角度评析李贺之鬼神诗
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作者 黎书含 《西部学刊》 2024年第19期118-121,共4页
在李贺创作的二百余首诗歌中,鬼神诗占据了较大数量,是体现其幽冷瑰丽诗风的典型代表之作。李贺所作的鬼神诗许多都取材于远古先民创作的神话故事,一方面,这些神话作为创作素材进入到他的诗歌中,并经过重新演绎,丰富了李贺的诗歌题材,... 在李贺创作的二百余首诗歌中,鬼神诗占据了较大数量,是体现其幽冷瑰丽诗风的典型代表之作。李贺所作的鬼神诗许多都取材于远古先民创作的神话故事,一方面,这些神话作为创作素材进入到他的诗歌中,并经过重新演绎,丰富了李贺的诗歌题材,使得他的鬼神诗充满了神秘感和想象力;另一方面,神话背后凝聚的原始先民的审美意识,作为集体无意识的一部分进入诗人的精神之中,使其着眼于古往今来都在思考的生死之问,并发挥丰富的想象力,构建出一个瑰丽奇幻的诗歌世界。 展开更多
关键词 李贺 鬼神诗 神话美学
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神话的美学探询——西方神话美学札记 被引量:1
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作者 颜翔林 《湖南师范大学社会科学学报》 CSSCI 北大核心 2009年第1期123-127,共5页
神话和神话思维共时性地潜藏于人类的心理结构之中,对文化和文明发挥着重要影响。西方思想界对于神话进行多维度的探究,阐释神话和审美活动与艺术生产的逻辑联系,从而诞生具有一定理论价值的神话美学。
关键词 神话 神话思维 神话美学
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20世纪神话研究综述(下) 被引量:1
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作者 黄震云 杨胜朋 《徐州师范大学学报(哲学社会科学版)》 2003年第2期7-10,共4页
In the 20th Century the China mythology has gone through four stages: from seed to erection to down casting to prosperity. The boundary is the May 4th Movement, the foundation of New China, the Cultural Lag. The resea... In the 20th Century the China mythology has gone through four stages: from seed to erection to down casting to prosperity. The boundary is the May 4th Movement, the foundation of New China, the Cultural Lag. The research of data has slowly turned to fieldwork from researching in national cultural heritage in 1920s. Since the foundation new China, it has a high tide of researching popular myths. On translating the West `s theories and data, it also goes through from brief introduce in 1920s and 1930s to putting into different categories after the Cultural Lag .the study has gained great breakthrough from theory to figure; from aesthetics to contrast in different nations as well as the history of mythology. The study in Hong Kong and Taiwan rose high in 1950s inheriting the style of Qianjia and gaining great achievement. Japan and the Soviet Union are the best in the foreign study about China myths. They have found the system themselves.The other foreign nations` researchers take a great influence on the spreading of china myths. 展开更多
关键词 20世纪 神话研究 研究成就 神话美学 神话史学
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美:诗性神话
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作者 颜翔林 《学海》 2002年第5期154-158,共5页
怀疑论美学认为美属于一种诗性的神话 ,它认为审美活动和神话思维具有既有联系又有差异的特征。怀疑论美学认为 ,只有美学神话 (TheMythofAesthetics)和“审美神话 (AestheticMyth)的概念 。
关键词 诗性神话 审美活动 美学神话 审美神话 怀疑论美学
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Contemporary myth and its aesthetic consciousness
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作者 Yan Xianglin 《Social Sciences in China》 2010年第1期111-126,共16页
Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thin... Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thinking and consciousness are synchronically hidden in our psychological structures and still exert an important influence on civilizations and cultures. In the modem and postmodem historical and cultural context, myth hides in our spiritual and cultural activities in various altered forms. Having evolved into a mythic form in the contemporary sense, it continues to play a powerful psychological role and to act as a midwife of conscious activities and forms. Contemporary myth typically comprises science myth, consumption myth and hero myth. It has inherited the symbols and structures of traditional myth, but with some developments and variations; in particular, by means of science and technology, it has acquired broader and richer social ingredients and swift and intensive modes of transmission, producing a widespread and far-reaching influence on various aspects of society. 展开更多
关键词 contemporary myth aesthetic consciousness myth of science and technology consumption myth hero myth
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