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“可知”到“可感”——结构理性的知觉转向与结构的诗意呈现
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作者 李苏豫 陈灏 《华中建筑》 2024年第2期5-9,共5页
该文基于建筑本体与表现的关系,回顾17~20世纪后结构变化发展,阐述结构理性逐渐拓展为强调知觉体验的建构体系,从荷载清晰可视向综合文化地域的复杂性迈进。以结构诗意化表现为切入点,揭示结构与感知的关系,结合案例分析,从结构的模糊... 该文基于建筑本体与表现的关系,回顾17~20世纪后结构变化发展,阐述结构理性逐渐拓展为强调知觉体验的建构体系,从荷载清晰可视向综合文化地域的复杂性迈进。以结构诗意化表现为切入点,揭示结构与感知的关系,结合案例分析,从结构的模糊表达、结构与空间叠合、结构与材料工艺等方面阐述结构知觉化设计策略,为当代结构的诗意呈现提供设计思路。 展开更多
关键词 结构理性 建构 结构诗意化 具身感知
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Melody- Usul - Poetic Prosodic Meter Relations in Ottoman-Turkish Music
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作者 Gozde Colakoglu SARI 《Journal of Literature and Art Studies》 2015年第2期128-140,共13页
Language, literature, customs and traditions, music and art are cultural items that were transmitted from generation to generation throughout history. In this context, literature is an important source of music cultur... Language, literature, customs and traditions, music and art are cultural items that were transmitted from generation to generation throughout history. In this context, literature is an important source of music culture that takes inspiration from the customs and traditions of a society. Prosodic meter is echoed in form, usul and general structure in works composed from the divan literature and almost lives in the work. In the same way, when examples of folk literature composed by composers and performed by poets and a^lks are examined, it is observed that there are parallels between literary features and form, structure and rhythmic features. The aim of this paper is to reveal the integral link between Melody-Usul and Meter in Ottoman Turkish Music 展开更多
关键词 MELODY usul Aruz Prosodic Metters Meek
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