The purpose of this research is to see the image of New York and London in Charles Dickens＇s writings. In American Notes （1987）, on the surface, the city shows Dickens＇s eye of observation, revealing the dark side...The purpose of this research is to see the image of New York and London in Charles Dickens＇s writings. In American Notes （1987）, on the surface, the city shows Dickens＇s eye of observation, revealing the dark side of the city. However, his writing expresses more than what he sees. In this paper, the author sees New York and London not only as realistic accounts of what things look like, but also a true realization of how Dickens feels about himself, and about the country in which he was situated in. In Oliver Twist （2003）, a New York prison can be linked to Dickens＇s London, representing the darkness of the city with the prison cell and its suggestiveness, including punishment, exclusion, and dehumanization. A New York Asylum reveals the dialectic of order and disorder, in a way which alienation brings out the crisis of humanity. This research shows that New York is an extension of London, in a way which the personal crisis is vividly revealed, as the reader can see in Charles Dickens. A Life （2012）. Through New York, Dickens is more conscious about his London childhood, as spatial representations of London have their own symbolic meanings展开更多
The issue of cemetery planting is not yet sufficiently studied in Lithuania. Cemetery is one of the sites where people could give way to their subjective comprehension of beauty. Analysis of the cemetery planting reve...The issue of cemetery planting is not yet sufficiently studied in Lithuania. Cemetery is one of the sites where people could give way to their subjective comprehension of beauty. Analysis of the cemetery planting revealed certain noticeable features that could be ascribed to the forms of folk art. These are various objects with implied specific content or ornamented compositions. The aim of the research was to ascertain and distinguish graves characterised by specific planting features associated with plants, their layouts on graves. Analysis of the research results shows that two options form the peculiarities of grave planting： depiction of specific objects and ornamentation.We think that majority of the ornaments are made with the single purpose of decoration, and do not associate with symbolic meanings. During this research the graves decorated with planted symbolic objects and ornaments were distinguished. This phenomenon becomes more and more popular in cemeteries of Siauliai city in Lithuania.展开更多
Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country＇s religious syncretism. This ...Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country＇s religious syncretism. This article aims to compare, through religious symbolism, structural forms and architectural spaces, two sacred monuments： The cathedral of Brasilia （1958-1967） and the stupa of the Tibetan Buddhist Center, inaugurated in 2006. The millenary construction form of the stupa, one of the primordial sacred structures for all Buddhism traditions, the sacred symbol of enlightenment, must obey some construction rules according to its lineage＇s Buddhist tradition. In this way, the stupa is the opposite of a strong and fearless structural form embodied in the cathedral, with its 16 revolution hyperboloid concrete pillars and its subterranean entrance. Although built in concrete both are unusual forms of architecture with distinct spatial conception and sculptural form structures. While respecting religious differences, it is noticeable a real commitment between form and structure, volume and religious symbolism. At the conclusion, it is perceivable how distinct forms--the Cathedral and the Stupa--can respond in analog manners to the necessity of a gathering space where visitors go in search of expressing their faith. Along with them, Buddhism and Catholicism are rooted in Brazil＇s new capital.展开更多
文摘The purpose of this research is to see the image of New York and London in Charles Dickens＇s writings. In American Notes （1987）, on the surface, the city shows Dickens＇s eye of observation, revealing the dark side of the city. However, his writing expresses more than what he sees. In this paper, the author sees New York and London not only as realistic accounts of what things look like, but also a true realization of how Dickens feels about himself, and about the country in which he was situated in. In Oliver Twist （2003）, a New York prison can be linked to Dickens＇s London, representing the darkness of the city with the prison cell and its suggestiveness, including punishment, exclusion, and dehumanization. A New York Asylum reveals the dialectic of order and disorder, in a way which alienation brings out the crisis of humanity. This research shows that New York is an extension of London, in a way which the personal crisis is vividly revealed, as the reader can see in Charles Dickens. A Life （2012）. Through New York, Dickens is more conscious about his London childhood, as spatial representations of London have their own symbolic meanings
文摘The issue of cemetery planting is not yet sufficiently studied in Lithuania. Cemetery is one of the sites where people could give way to their subjective comprehension of beauty. Analysis of the cemetery planting revealed certain noticeable features that could be ascribed to the forms of folk art. These are various objects with implied specific content or ornamented compositions. The aim of the research was to ascertain and distinguish graves characterised by specific planting features associated with plants, their layouts on graves. Analysis of the research results shows that two options form the peculiarities of grave planting： depiction of specific objects and ornamentation.We think that majority of the ornaments are made with the single purpose of decoration, and do not associate with symbolic meanings. During this research the graves decorated with planted symbolic objects and ornaments were distinguished. This phenomenon becomes more and more popular in cemeteries of Siauliai city in Lithuania.
文摘Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country＇s religious syncretism. This article aims to compare, through religious symbolism, structural forms and architectural spaces, two sacred monuments： The cathedral of Brasilia （1958-1967） and the stupa of the Tibetan Buddhist Center, inaugurated in 2006. The millenary construction form of the stupa, one of the primordial sacred structures for all Buddhism traditions, the sacred symbol of enlightenment, must obey some construction rules according to its lineage＇s Buddhist tradition. In this way, the stupa is the opposite of a strong and fearless structural form embodied in the cathedral, with its 16 revolution hyperboloid concrete pillars and its subterranean entrance. Although built in concrete both are unusual forms of architecture with distinct spatial conception and sculptural form structures. While respecting religious differences, it is noticeable a real commitment between form and structure, volume and religious symbolism. At the conclusion, it is perceivable how distinct forms--the Cathedral and the Stupa--can respond in analog manners to the necessity of a gathering space where visitors go in search of expressing their faith. Along with them, Buddhism and Catholicism are rooted in Brazil＇s new capital.
