Eliot,an important poet,playwright,and literary critic of the nineteenth century in the United States,was the founder of Western modernism.He pioneered the modern poetic criticism.His practice of modernist poetry is t...Eliot,an important poet,playwright,and literary critic of the nineteenth century in the United States,was the founder of Western modernism.He pioneered the modern poetic criticism.His practice of modernist poetry is the transition from traditionalist poetics to modernist poetics in the 20th century.His famous poetics theory declaration“Tradition and the Individual Talent”is an immortal classic in the field of poetics theory,in which he proposed the concept of“Traditional,”the theory of“Impersonal”poetry,“Objective Correlative,”and so on.All had a profound influence on the 20th-century poetry creation.This paper aims to analyze and discuss the important“Impersonal”theory from the three aspects of its connotation,the relationship between“Personality”and its intertextuality with New Criticism,so as to further understand Eliot’s poetic concepts.展开更多
This article discusses that the development of new criticism is the anti-romantic thrust of Eliot’s thinking. Famously he wrote: "Poetry is not a turning loose of emotion, but an escape from emotion; it is not t...This article discusses that the development of new criticism is the anti-romantic thrust of Eliot’s thinking. Famously he wrote: "Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality". The Love Song of J.Alfred Prufrock is a poem with a notable modern emotional coloring.The title of the poem is ironic in that the "Love Song" is in fact about the absence of love. It is interesting also for its method of presentation.Eliot’s poetry said more about the moden chaos and their volumes put together.展开更多
The literature in 20th century is mainly characterized by irrationalism presented in modernism. Under the background, this paper aims to explore how Eliot attempts to use modern art techniques in The Waste Land to rev...The literature in 20th century is mainly characterized by irrationalism presented in modernism. Under the background, this paper aims to explore how Eliot attempts to use modern art techniques in The Waste Land to reveal a real life to readers.展开更多
George Eliot is a great authoress in the Victorian age. She has made great contribution in many fields such as: philoso phy, literature and humanism. However she is a controversial novelist as well not only because he...George Eliot is a great authoress in the Victorian age. She has made great contribution in many fields such as: philoso phy, literature and humanism. However she is a controversial novelist as well not only because her life experience which revolts against the traditional way of life at that time but also her unique humanistic and feminist view. The purpose of the study is to get the panoramic view of George Eliot.展开更多
T.S.Eliot,a great American poet in the twentieth century,is a spokesman of the Imagist Movement.He emphasizes describing the rotten Western civilization and the decayed morals after the First World War.Prufrock that T...T.S.Eliot,a great American poet in the twentieth century,is a spokesman of the Imagist Movement.He emphasizes describing the rotten Western civilization and the decayed morals after the First World War.Prufrock that T.S.Eliot described in his early poems is timid,hesitant,sensitive,anxious,lack of will and confidence;This paper will analyze the detailed behaviors of the characters in Eliot's early poems and reveal the major image of modern men more clearly.展开更多
George Eliot(1819-1880)is an outstanding female writer in Victorian Age.Virginia Woolf,a feminist pioneer,once praised her as"the pride and paragon of the female".However,her feminism is ambivalent.On the on...George Eliot(1819-1880)is an outstanding female writer in Victorian Age.Virginia Woolf,a feminist pioneer,once praised her as"the pride and paragon of the female".However,her feminism is ambivalent.On the one hand,she dares to challenge the male-dominated society and supports women’s rights to receive education and freedom of love and marriage.On the other hand,she emphasizes that women should make self-sacrifice to help men achieve their goals.Based on The Mill on the Floss and studies of previous scholars,this thesis tries to analyze George Eliot’s ambivalent feminism.Thus it is beneficial for readers to observe and think about women’s future.展开更多
The Sun Rising is one of the most famous metaphysical poems of John Donne.The Love Song of J.Alfred Prufrock is known as the first Modernist poem of T.S Eliot.This paper mainly aims to analyze the strikingly unconvent...The Sun Rising is one of the most famous metaphysical poems of John Donne.The Love Song of J.Alfred Prufrock is known as the first Modernist poem of T.S Eliot.This paper mainly aims to analyze the strikingly unconventional images use in the two poems,and make comments on their effect on expressing the poet emotions.展开更多
T.S.Eliot's works have the didactic purpose of turning his readers away from what he considered the selfindulgence of the Romantics and toward the sterner splendors of Elizabethan drama and the 17th-century metaph...T.S.Eliot's works have the didactic purpose of turning his readers away from what he considered the selfindulgence of the Romantics and toward the sterner splendors of Elizabethan drama and the 17th-century metaphysical poetry.Associated with the rise of literary modernism,he was established as the voice of a disillusioned generation by The Waste Land(1922).Especially,Eliot's description of the discourse of animality received highly artistic effect on the aspect of expressing his "impersonal theory".The discourse of animality in The Waste Land in plenty,thus,it made the author's expressive force more vivid.Furthermore,various imagos of different animals drew a mythical picture of modern waste land.So that,Eliot's The Waste Land also has the epic signification.展开更多
During T.S. Eliot's(1888-1965)whole life he left us a lot of fortune, and The Love Song of J. Alfred Prufrock is considered as one of Eliot's finest and most important works. A lot of scholars and critics have...During T.S. Eliot's(1888-1965)whole life he left us a lot of fortune, and The Love Song of J. Alfred Prufrock is considered as one of Eliot's finest and most important works. A lot of scholars and critics have done different researches on this poem.The author of this paper tries to analyze one of these poems from the perspective of T.S. Eliot's poetics.展开更多
In1939 a new poetry magazine appearedin Japan with the title Arechi,meaning’Waste Land’;the name,the editor said later,expressed‘our mental elimate’.In describinghis immediate response to Eliot’s The WasteLand,an...In1939 a new poetry magazine appearedin Japan with the title Arechi,meaning’Waste Land’;the name,the editor said later,expressed‘our mental elimate’.In describinghis immediate response to Eliot’s The WasteLand,another Japanese observed that tohis youthful eyes the world depicted there‘seemed to reflect our own sad and disillu-sioned world’.Other countries,some ofthem equally remote in space from the os-tensible setting of the poem,have reactedin similar ways.Rather differently,Eliot’searly essay Tradition and the IndividualTalent proved of timely interest in coun-tries where European and American literarypractices had impinged on the native litera-ture:far from being inert or burdensome,展开更多
Women＇s suffering in George Eliot＇s three major novels in part results from, on the one hand their consciousness of their futile struggling for something that is incompatible with the society, and on the other, thei...Women＇s suffering in George Eliot＇s three major novels in part results from, on the one hand their consciousness of their futile struggling for something that is incompatible with the society, and on the other, their eventual renunciation of their original dreams. Generally speaking, no matter what overt images they assume, Madonna or madwoman, no matter which period they are in, no matter how hard they try, suffering more or less characterizes their normal living state and they generally have to face a doomed fate. However, Eliot is by no means a pessimist, and she will never let her heroines subject to their fate passively. In suffering, these heroines still believe in love and humanity. They keep their eyes on the misery of the world with great sympathy. They suffer for themselves, and more for others. Suffering is the source of their strength and their way to save the corrupted souls of their male counterparts. They put themselves on the cross of suffering, and in this process they eventually are elevated as Christ figures. Suffering, as Eliot has wished, serves as a baptism, a regeneration, and the initiation into a new state for the sufferers and also a salvation to the world.展开更多
This paper is to explore Maggie＇s dream in The Mill on the Floss （1980） and how it both discloses the complicated inner world of the protagonist and forecasts the plot development. In this episode, Maggie has to be...This paper is to explore Maggie＇s dream in The Mill on the Floss （1980） and how it both discloses the complicated inner world of the protagonist and forecasts the plot development. In this episode, Maggie has to be faced with all the important relations of her life, each making different claims on her conscience. It is also the critical moment when Maggie achieves sober self-knowledge, therefore coming to the hardest decision in the choice between family, love and friendship. It juxtaposes illusion and reality through multiple levels of overlapping in images and scenes, which illustrates how unconscious feelings work effect on Maggie＇s conscious action. This episode is typical of George Eliot＇s literary presentation of unconscious, which not only reveals her keen observation of human psyche, but also demonstrates the general achievement of the 19th century psychologists in the related field.展开更多
In his quest for spiritual fulfillment, Thomas Stearns Eliot conducts a meticulous religious study which teaches him distinctive interpretations of human existence and their various functions that they are supposed to...In his quest for spiritual fulfillment, Thomas Stearns Eliot conducts a meticulous religious study which teaches him distinctive interpretations of human existence and their various functions that they are supposed to assume in the world. Eliot＇s personal attachment to religious knowledge and his reflections of religious studies inevitably manifest themselves in his literary works; be it his dramas or poems, mostly in the forms of philosophical and psychoanalytical analysis of his characters and the detected problems observed in their relationships. The Cocktail Party, a play starting off as a drawing-room comedy soon converts to a serious analysis of human psychology and the nature of human interactions. While engaging with these particular points, the play offers possibilities to discuss several religious allusions, though dealt with subtly. Integrated with religion, characters＇ attitudes towards a given situation and their final decision position them in their quest either in ＂hypothetical＂ enlightenment or in a ＂supposed＂ repetition of a vicious circle. The enforcing power behind the play is interestingly a psychiatrist, who adds dynamism and mystery to the plot and has a special task in making the play a drama of conversion. The inner conflicts of the characters which ultimately lead to a series of problems in their relationships are the main concern which causes the characters search for different solutions. Accordingly, they make their own choices to cease their inner struggles. This paper aims to explore the concept of conversion in Eliot＇s The Cocktail Party with references to the playwright＇s religious journey in his literary career.展开更多
This essay will investigate the differences between the ways George Eliot’s protagonist,Latimer,and Cajal’s protagonist,Juan Fernández,handle the extraordinary visions they are given.In“The Lifted Veil”by Geo...This essay will investigate the differences between the ways George Eliot’s protagonist,Latimer,and Cajal’s protagonist,Juan Fernández,handle the extraordinary visions they are given.In“The Lifted Veil”by George Eliot,Latimer acquires a gift of clairvoyance,which enables him to see others’thoughts.Similarly,in“The Corrected Pessimist,”a novella in Cajal’s story collection—Vacation Stories,Juan acquires microscopic eyes,which enable him to lift the veil of reality and in turn that of the human mind.While Juan learns to zoom in on the beauty of the human mind and to use his appreciation of its beauty to understand its flaws,Latimer excessively zooms in on the dark side of the human mind and fails to sympathize with others.In comparing the different ways in which Latimer and Juan employ their microscopic visions,this essay aims to prove that Eliot and Cajal,though through contrasting ways,both highlight how important is shifting perspectives to cultivate one’s sympathy.展开更多
M. L. Rosenthal is an authority on William Butler Yeats, Ezra Pound, and T. S. Eliot and their poems. In his review book on the three poets, Sailing into the Unknown： Yeats, Pound and Eliot, his close and provocative...M. L. Rosenthal is an authority on William Butler Yeats, Ezra Pound, and T. S. Eliot and their poems. In his review book on the three poets, Sailing into the Unknown： Yeats, Pound and Eliot, his close and provocative analysis indicates the features of the three poets＇ representative works respectively. This article tries to sum up the main contents of each chapter of this review book and make a comment on the significance of his reviews as a whole.展开更多
“Objective Correlative”theory was first proposed by T.S. Eliot, who holds that people’s emotion can find expression in a series of objective correlative. In his poem The Love Song of J.Alfred Prufrock, the use of o...“Objective Correlative”theory was first proposed by T.S. Eliot, who holds that people’s emotion can find expression in a series of objective correlative. In his poem The Love Song of J.Alfred Prufrock, the use of objective correlative fully reflects and reveals modern people’s loneliness, futility and alienation.展开更多
Middlemarch is considered Eliot's one of the most controversial novels. Most critics apply feminist criticism to unscramble the novel and draw that it's a comedown of feminist fight and a loss of feminist disc...Middlemarch is considered Eliot's one of the most controversial novels. Most critics apply feminist criticism to unscramble the novel and draw that it's a comedown of feminist fight and a loss of feminist discursive authority for the protagonist Dorothea hides in the protection of marriage.The paper aims to employ the theory of feminist narratology to reinterpret Middlemarch. Through the analysis of the two marriages of Dorothea, the dissertation draws the conclusion that Eliot manages to win the discursive authority in a man-dominating era, and the authority is based on a dual voice-the voice of a woman writing in the name and company of men.展开更多
T. S. Eliot is always considered as the pioneering father and founder of the New Criticism. This paper compares the similarities and differences of T. S. Eliot's relevant theories with those of the New Criticism f...T. S. Eliot is always considered as the pioneering father and founder of the New Criticism. This paper compares the similarities and differences of T. S. Eliot's relevant theories with those of the New Criticism from two aspects: their viewpoints of the literary works and those of the reader. It concludes that though they share the same belief in the importance of the literary works, the New Criticism is good at the subtle analysis of one text and another. However, Eliot recognizes the reader's function in the appreciation of the works which New Criticism totally objects to, and their responses should be properly considered in the criticism of the works.展开更多
As one of the most significant critical essays of T.S.Eliot,Tradition and Individual Talent has defined writing as a process during which the primitive oneness has seized the individual writer of figurative descriptio...As one of the most significant critical essays of T.S.Eliot,Tradition and Individual Talent has defined writing as a process during which the primitive oneness has seized the individual writer of figurative descriptions to help represent itself.This theory has latter been practiced in Eliot’s Wasteland,and shows its similarity with The Birth of Tragedy,written by Friedrick Nietzsche,the German philosopher.Eliot’s‘tradition’has been concluded by Nietzsche as‘Dionysian Spirit’,which represents oneness transcending good and evil,past and present,while‘individual talent’has resembled‘Apollonian Spirit’in the urge for original figuration as an apparatus.The paper aims to explain and compare the definitions of‘tradition’and‘individual talent’of Eliot’s work with that of‘Dionysian spirit’and‘Apollonian Spirit’in Nietzsche’s illustrations,so as to provide a deeper understanding of these two works by unveiling the individual and social sameness and difference of Eliot and Nietzsche.展开更多
文摘Eliot,an important poet,playwright,and literary critic of the nineteenth century in the United States,was the founder of Western modernism.He pioneered the modern poetic criticism.His practice of modernist poetry is the transition from traditionalist poetics to modernist poetics in the 20th century.His famous poetics theory declaration“Tradition and the Individual Talent”is an immortal classic in the field of poetics theory,in which he proposed the concept of“Traditional,”the theory of“Impersonal”poetry,“Objective Correlative,”and so on.All had a profound influence on the 20th-century poetry creation.This paper aims to analyze and discuss the important“Impersonal”theory from the three aspects of its connotation,the relationship between“Personality”and its intertextuality with New Criticism,so as to further understand Eliot’s poetic concepts.
文摘This article discusses that the development of new criticism is the anti-romantic thrust of Eliot’s thinking. Famously he wrote: "Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality". The Love Song of J.Alfred Prufrock is a poem with a notable modern emotional coloring.The title of the poem is ironic in that the "Love Song" is in fact about the absence of love. It is interesting also for its method of presentation.Eliot’s poetry said more about the moden chaos and their volumes put together.
文摘The literature in 20th century is mainly characterized by irrationalism presented in modernism. Under the background, this paper aims to explore how Eliot attempts to use modern art techniques in The Waste Land to reveal a real life to readers.
文摘George Eliot is a great authoress in the Victorian age. She has made great contribution in many fields such as: philoso phy, literature and humanism. However she is a controversial novelist as well not only because her life experience which revolts against the traditional way of life at that time but also her unique humanistic and feminist view. The purpose of the study is to get the panoramic view of George Eliot.
文摘T.S.Eliot,a great American poet in the twentieth century,is a spokesman of the Imagist Movement.He emphasizes describing the rotten Western civilization and the decayed morals after the First World War.Prufrock that T.S.Eliot described in his early poems is timid,hesitant,sensitive,anxious,lack of will and confidence;This paper will analyze the detailed behaviors of the characters in Eliot's early poems and reveal the major image of modern men more clearly.
文摘George Eliot(1819-1880)is an outstanding female writer in Victorian Age.Virginia Woolf,a feminist pioneer,once praised her as"the pride and paragon of the female".However,her feminism is ambivalent.On the one hand,she dares to challenge the male-dominated society and supports women’s rights to receive education and freedom of love and marriage.On the other hand,she emphasizes that women should make self-sacrifice to help men achieve their goals.Based on The Mill on the Floss and studies of previous scholars,this thesis tries to analyze George Eliot’s ambivalent feminism.Thus it is beneficial for readers to observe and think about women’s future.
文摘The Sun Rising is one of the most famous metaphysical poems of John Donne.The Love Song of J.Alfred Prufrock is known as the first Modernist poem of T.S Eliot.This paper mainly aims to analyze the strikingly unconventional images use in the two poems,and make comments on their effect on expressing the poet emotions.
文摘T.S.Eliot's works have the didactic purpose of turning his readers away from what he considered the selfindulgence of the Romantics and toward the sterner splendors of Elizabethan drama and the 17th-century metaphysical poetry.Associated with the rise of literary modernism,he was established as the voice of a disillusioned generation by The Waste Land(1922).Especially,Eliot's description of the discourse of animality received highly artistic effect on the aspect of expressing his "impersonal theory".The discourse of animality in The Waste Land in plenty,thus,it made the author's expressive force more vivid.Furthermore,various imagos of different animals drew a mythical picture of modern waste land.So that,Eliot's The Waste Land also has the epic signification.
文摘During T.S. Eliot's(1888-1965)whole life he left us a lot of fortune, and The Love Song of J. Alfred Prufrock is considered as one of Eliot's finest and most important works. A lot of scholars and critics have done different researches on this poem.The author of this paper tries to analyze one of these poems from the perspective of T.S. Eliot's poetics.
文摘In1939 a new poetry magazine appearedin Japan with the title Arechi,meaning’Waste Land’;the name,the editor said later,expressed‘our mental elimate’.In describinghis immediate response to Eliot’s The WasteLand,another Japanese observed that tohis youthful eyes the world depicted there‘seemed to reflect our own sad and disillu-sioned world’.Other countries,some ofthem equally remote in space from the os-tensible setting of the poem,have reactedin similar ways.Rather differently,Eliot’searly essay Tradition and the IndividualTalent proved of timely interest in coun-tries where European and American literarypractices had impinged on the native litera-ture:far from being inert or burdensome,
文摘Women＇s suffering in George Eliot＇s three major novels in part results from, on the one hand their consciousness of their futile struggling for something that is incompatible with the society, and on the other, their eventual renunciation of their original dreams. Generally speaking, no matter what overt images they assume, Madonna or madwoman, no matter which period they are in, no matter how hard they try, suffering more or less characterizes their normal living state and they generally have to face a doomed fate. However, Eliot is by no means a pessimist, and she will never let her heroines subject to their fate passively. In suffering, these heroines still believe in love and humanity. They keep their eyes on the misery of the world with great sympathy. They suffer for themselves, and more for others. Suffering is the source of their strength and their way to save the corrupted souls of their male counterparts. They put themselves on the cross of suffering, and in this process they eventually are elevated as Christ figures. Suffering, as Eliot has wished, serves as a baptism, a regeneration, and the initiation into a new state for the sufferers and also a salvation to the world.
文摘This paper is to explore Maggie＇s dream in The Mill on the Floss （1980） and how it both discloses the complicated inner world of the protagonist and forecasts the plot development. In this episode, Maggie has to be faced with all the important relations of her life, each making different claims on her conscience. It is also the critical moment when Maggie achieves sober self-knowledge, therefore coming to the hardest decision in the choice between family, love and friendship. It juxtaposes illusion and reality through multiple levels of overlapping in images and scenes, which illustrates how unconscious feelings work effect on Maggie＇s conscious action. This episode is typical of George Eliot＇s literary presentation of unconscious, which not only reveals her keen observation of human psyche, but also demonstrates the general achievement of the 19th century psychologists in the related field.
文摘In his quest for spiritual fulfillment, Thomas Stearns Eliot conducts a meticulous religious study which teaches him distinctive interpretations of human existence and their various functions that they are supposed to assume in the world. Eliot＇s personal attachment to religious knowledge and his reflections of religious studies inevitably manifest themselves in his literary works; be it his dramas or poems, mostly in the forms of philosophical and psychoanalytical analysis of his characters and the detected problems observed in their relationships. The Cocktail Party, a play starting off as a drawing-room comedy soon converts to a serious analysis of human psychology and the nature of human interactions. While engaging with these particular points, the play offers possibilities to discuss several religious allusions, though dealt with subtly. Integrated with religion, characters＇ attitudes towards a given situation and their final decision position them in their quest either in ＂hypothetical＂ enlightenment or in a ＂supposed＂ repetition of a vicious circle. The enforcing power behind the play is interestingly a psychiatrist, who adds dynamism and mystery to the plot and has a special task in making the play a drama of conversion. The inner conflicts of the characters which ultimately lead to a series of problems in their relationships are the main concern which causes the characters search for different solutions. Accordingly, they make their own choices to cease their inner struggles. This paper aims to explore the concept of conversion in Eliot＇s The Cocktail Party with references to the playwright＇s religious journey in his literary career.
文摘This essay will investigate the differences between the ways George Eliot’s protagonist,Latimer,and Cajal’s protagonist,Juan Fernández,handle the extraordinary visions they are given.In“The Lifted Veil”by George Eliot,Latimer acquires a gift of clairvoyance,which enables him to see others’thoughts.Similarly,in“The Corrected Pessimist,”a novella in Cajal’s story collection—Vacation Stories,Juan acquires microscopic eyes,which enable him to lift the veil of reality and in turn that of the human mind.While Juan learns to zoom in on the beauty of the human mind and to use his appreciation of its beauty to understand its flaws,Latimer excessively zooms in on the dark side of the human mind and fails to sympathize with others.In comparing the different ways in which Latimer and Juan employ their microscopic visions,this essay aims to prove that Eliot and Cajal,though through contrasting ways,both highlight how important is shifting perspectives to cultivate one’s sympathy.
文摘M. L. Rosenthal is an authority on William Butler Yeats, Ezra Pound, and T. S. Eliot and their poems. In his review book on the three poets, Sailing into the Unknown： Yeats, Pound and Eliot, his close and provocative analysis indicates the features of the three poets＇ representative works respectively. This article tries to sum up the main contents of each chapter of this review book and make a comment on the significance of his reviews as a whole.
文摘“Objective Correlative”theory was first proposed by T.S. Eliot, who holds that people’s emotion can find expression in a series of objective correlative. In his poem The Love Song of J.Alfred Prufrock, the use of objective correlative fully reflects and reveals modern people’s loneliness, futility and alienation.
文摘Middlemarch is considered Eliot's one of the most controversial novels. Most critics apply feminist criticism to unscramble the novel and draw that it's a comedown of feminist fight and a loss of feminist discursive authority for the protagonist Dorothea hides in the protection of marriage.The paper aims to employ the theory of feminist narratology to reinterpret Middlemarch. Through the analysis of the two marriages of Dorothea, the dissertation draws the conclusion that Eliot manages to win the discursive authority in a man-dominating era, and the authority is based on a dual voice-the voice of a woman writing in the name and company of men.
文摘T. S. Eliot is always considered as the pioneering father and founder of the New Criticism. This paper compares the similarities and differences of T. S. Eliot's relevant theories with those of the New Criticism from two aspects: their viewpoints of the literary works and those of the reader. It concludes that though they share the same belief in the importance of the literary works, the New Criticism is good at the subtle analysis of one text and another. However, Eliot recognizes the reader's function in the appreciation of the works which New Criticism totally objects to, and their responses should be properly considered in the criticism of the works.
文摘As one of the most significant critical essays of T.S.Eliot,Tradition and Individual Talent has defined writing as a process during which the primitive oneness has seized the individual writer of figurative descriptions to help represent itself.This theory has latter been practiced in Eliot’s Wasteland,and shows its similarity with The Birth of Tragedy,written by Friedrick Nietzsche,the German philosopher.Eliot’s‘tradition’has been concluded by Nietzsche as‘Dionysian Spirit’,which represents oneness transcending good and evil,past and present,while‘individual talent’has resembled‘Apollonian Spirit’in the urge for original figuration as an apparatus.The paper aims to explain and compare the definitions of‘tradition’and‘individual talent’of Eliot’s work with that of‘Dionysian spirit’and‘Apollonian Spirit’in Nietzsche’s illustrations,so as to provide a deeper understanding of these two works by unveiling the individual and social sameness and difference of Eliot and Nietzsche.
