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A Study on Honeysuckle Pattern in Yungang Grottoes From the Perspective of Semiotics
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作者 REN Nannan 《Cultural and Religious Studies》 2024年第1期36-41,共6页
Buddhism was introduced to China during the Han Dynasty and took root in China,integrating with local culture.The classic pattern of honeysuckle in Buddhism,as a type of border decoration,was also introduced to China ... Buddhism was introduced to China during the Han Dynasty and took root in China,integrating with local culture.The classic pattern of honeysuckle in Buddhism,as a type of border decoration,was also introduced to China with the eastward advancement of Buddhism.This article aims to conduct a semiotic study on the patterns of honeysuckle patterns in the Yungang Grottoes.Firstly,the concept of honeysuckle patterns was explained,and typical honeysuckle patterns that appeared in the Yungang Grottoes were systematically organized and classified.Then,with the help of semiotic principles,the production of symbols for honeysuckle patterns in the Yungang Grottoes was analyzed from a semiotic perspective.Based on this,the semiotic characteristics of honeysuckle patterns in the Yungang Grottoes and their signifier and referent systems were analyzed in depth.Finally,the shape and connotation of honeysuckle patterns in their evolution and development were summarized.The honeysuckle pattern occupies an important position in the history of traditional patterns in China,so the honeysuckle pattern in Yungang Grottoes,as a decorative theme,not only has important research significance,but its semiotic value is also worth exploring and studying. 展开更多
关键词 Yungang Grottoes honeysuckle pattern semiotics BUDDHISM
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On Ethical Literary Criticism and Game Theory--An Interview with Professor Nie Zhenzhao
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作者 HUANG Kai-hong NIE Zhen-zhao HE Qiong(Translator) 《Journal of Literature and Art Studies》 2024年第3期207-214,共8页
In 2014,Huang Kaihong,a professor at School of Foreign Languages and Cultures,Southwest University of Science and Technology,interviewed the Doctoral advisor Professor Nie Zhenzhao during the period of his academic vi... In 2014,Huang Kaihong,a professor at School of Foreign Languages and Cultures,Southwest University of Science and Technology,interviewed the Doctoral advisor Professor Nie Zhenzhao during the period of his academic visiting to Central China Normal University.As early as in 2005,Huang Kaihong conducted an interview with Professor Nie Zhenzhao on the topic of the general introduction of ethical literary criticism.So around 11 years later,the second interview mainly covers not only the ethical literary criticism theory,but the game theory and the relationship between them as well.Professor Nie thinks whether the game theory can be applied to literature research is still under discussion.The theory of ethical literary criticism is a kind of methodology based on science and it can get the attention of literary critics at home and abroad,which is because it fits the practical needs of literary criticism,draws the literary criticism away from only emphasizing criticism genres and the research of criticism terms,and pays attention to the true nature of the literary text in literature research.After consulting Professor Nie Zhenzhao about some related questions from the perspective of game theory.Huang Kaihong gets some significant information concerning literature research and understands the latest core terms and the concrete application method of ethical literary criticism,especially the relationship between the instructing and aesthetic functions of literature. 展开更多
关键词 ethical literary criticism game theory relationship methodology application
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A Study on Extracurricular Literary Classics Reading in High School English Based on Core Literacy
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作者 Zhuanqin Wang 《Journal of Contemporary Educational Research》 2024年第3期38-42,共5页
Reading teaching is the core content of high school English teaching,and extracurricular literary classics reading is a supplement to in-class reading,which can deepen students’understanding and memorization of Engli... Reading teaching is the core content of high school English teaching,and extracurricular literary classics reading is a supplement to in-class reading,which can deepen students’understanding and memorization of English-related knowledge,and cultivate students’core literacy.This paper outlines the problems in high school English reading teaching,analyzes the significance of extracurricular literary classics reading in high school English,and explores the teaching strategies of extracurricular literary classics reading in high school English based on core literacy,with a view to providing valuable reference information for teachers. 展开更多
关键词 Core literacy High school English Extracurricular reading literary classics
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On the Aesthetic Wonder and Unity at the Peak of Literary Theory in the Six Dynasties Key
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作者 Yang Jiyong 《Journal of Philosophy Study》 2023年第7期290-302,共13页
The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a com... The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent. 展开更多
关键词 Six Dynasties literary Theory literary Fu” literary Mind and Diaolong” “Food” Explicit-Implicit Dual Isomorphism Philosophy Graphics
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Literature and Time:On Jiao Xun’s Concept of Literary Transformation
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作者 TAN FEI 《Cultural and Religious Studies》 2023年第7期308-313,共6页
Jiao Xun’s concept of the succession of literary genres according to each generation’s strengths clearly establishes the interrelationship between historical time and literary genres.Jiao Xun’s idea of the transfor... Jiao Xun’s concept of the succession of literary genres according to each generation’s strengths clearly establishes the interrelationship between historical time and literary genres.Jiao Xun’s idea of the transformation of literary styles differs from the prevailing notion at that time,which advocated prioritizing poetry and prose that conveyed aspirations and ideals while considering other literary genres such as ci(a form of lyric poetry),qu(drama),and novels as inferior.Instead,Jiao Xun advocated using the“nature”and“events”of objects as criteria and awakened a more traditional“poetic teaching tradition”characterized by metaphorical expression and emotional resonance,which aligned with the concept of literature conveying aspirations and ideals.This enabled the standard of“nature”to transcend the boundaries of literary genres,establishing new criteria for the hierarchy of genres and encapsulating Jiao Xun’s intention to summon emerging literary genres that were in harmony with the“present”. 展开更多
关键词 Jiao Xun literary transformation literary genres
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On the Ethical Dimensions of Literary Criticism in the Realm of We Media
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作者 Chai Dongdong 《Contemporary Social Sciences》 2023年第5期102-113,共12页
In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary critici... In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text. 展开更多
关键词 We Media literary criticism ETHICS literature and art in new media
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International Politics of Western Literary Theory:Literary Theory as Doctrine and as Discipline
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作者 LIN Jinghua 《Cultural and Religious Studies》 2023年第11期513-529,共17页
European literary criticism was rapidly transformed into literary theory through the United States after Rene Wellek and Austin Warren’s textbook Theory of Literary Theory by Harcourt,Brace and Co.(1949).Within a sho... European literary criticism was rapidly transformed into literary theory through the United States after Rene Wellek and Austin Warren’s textbook Theory of Literary Theory by Harcourt,Brace and Co.(1949).Within a short period of time,American new criticism,European psychoanalysis,semiotics,structuralism,hermeneutics,deconstructivism,and so on,as well as the western Marxism,feminism,new historicism,post-colonial criticism,and cultural studies,all the critical methods little referenced to postwar Western ideology and Soviet Ideology,and are even known for their profound criticism of some problems in capitalist society.These intuitively scientific or neutral literary theories flourished during the Cold War years that contained the Soviet Union.During this period,“political correctness”not only influenced the direction of social development in the West,but also directly influenced the academic pattern and the development trend of universities at that time,so that“literary criticism”,which was originally only based on personal experience,benefited and became“literary theory”in the discipline and curriculum system.As a result,the discipline of literary theory,which benefited from the Cold War pattern,is often in conflict with the specific literary theory that transcends ideology.However,the Cold War ended with the failure of the Soviet Union and its socialist realism theory system,and the western literary theory unexpectedly gained full legitimacy like Fukuyama’s“the end of history”.In the post-Cold War era,Western literary critics reasonably expanded the controversial theories and this has become the most concerned topic for 30 years.Thus,the international politics of the disguised Western literary theory was highlighted.Such Western literary theory has been generalized in China in the last 40 years,because Chinese academic yet has not understood the difference between theory as discipline and theory as doctrine,even anti-western in recent years. 展开更多
关键词 Cold war literary theory international politics literary theory as discipline
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A Literary Darwinist Interpretation of Jane and Hogo’s Romantic Relationship in Snow White
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作者 JIA Jingjing 《Cultural and Religious Studies》 2023年第6期276-285,共10页
In Snow White,Donald Barthelme subversively rewrites the Grimm’s fairy tale“Snow White”with a postmodern sense.One significant adaptation is the parody of the wicked stepmother-figure into Jane-a semi-witch who bem... In Snow White,Donald Barthelme subversively rewrites the Grimm’s fairy tale“Snow White”with a postmodern sense.One significant adaptation is the parody of the wicked stepmother-figure into Jane-a semi-witch who bemoans the passing of her youth and tries to keep the love of the opposite sex desperately.Jane as the female antagonist with her caddish lover Hogo forms a romantic relationship which constructs a main conflict in the novel,and their romance works like a distorting mirror,dramatically reflecting the states of American in the 1960s.This paper is intended to interpret Jane and Hogo’s romantic relationship by profiling Jane and Hogo in romance,analyzing the conflicts between their mating strategies and Jane’s consequent sexual jealousy from the perspective of Literary Darwinism.Through the analysis,the carnalism,individualism,and the unbroken gender shackle depicted in the novel are revealed and criticized,facilitating the understanding of human nature and Barthelme’s attitude towards the postmodern world. 展开更多
关键词 SNOW White literary DARWINISM EVOLUTIONARY PSYCHOLOGY mating-strategy
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Reading of The Guiltless from the Perspective of Ethical Literary Criticism
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作者 MA Xin-yu NI Xiao-shan 《Journal of Literature and Art Studies》 2023年第11期819-824,共6页
The Guiltless is Hermann Broch’s last novel,and it is also a work that embodies Broch’s literary and artistic view.The novel takes place in a period of social and historical change,and the conflict between the old a... The Guiltless is Hermann Broch’s last novel,and it is also a work that embodies Broch’s literary and artistic view.The novel takes place in a period of social and historical change,and the conflict between the old and the new ethical relations leads to the confusion of the ethical relations,which causes the relationship between the characters to become distorted.This paper tries to analyze the relationship between Baroness W and her family from the perspective of Ethical Literary Criticism in aspects of ethical environment,ethical selection and ethical identity.It reveals that in the period of social and historical change,in the environment of social ethics disorder,the distorted ethical selection of characters and the loss of ethical identity.Hermann Broch attempts to arouse readers’ethical reflection by depicting such an era and such characters. 展开更多
关键词 The Guiltless Ethical literary Criticism ethical environment ethical selection ethical identity
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Scottish Literary Heritage and National Identity:A Case Study of Boswell’s The Journal of a Tour to the Hebrides
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作者 WENG Liangliang 《Sino-US English Teaching》 2023年第3期106-112,共7页
For a long time,the history of“Scottish Literature”has been overshadowed by the concept of“British literature”,and thus Scottish literary heritage has been seen as“regional characteristics”.The Act of Union 1707... For a long time,the history of“Scottish Literature”has been overshadowed by the concept of“British literature”,and thus Scottish literary heritage has been seen as“regional characteristics”.The Act of Union 1707 led to a growing concern for Scottish national identity.In The Journal of a Tour to the Hebrides,the famous Scottish-born biographer James Boswell chose to take advantage of Scottish literary heritage as a point of penetration to express his own Scottish national identity with Scotland in literature and Scottish literature. 展开更多
关键词 Scottish literature literary heritage national identity James Boswell The Journal of a Tour to the Hebrides
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基于农耕文化的川西林盘导视系统设计研究
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作者 徐澜婷 余彦秋 +2 位作者 李强 吴浩 魏允迪 《包装工程》 CAS 北大核心 2024年第4期418-428,共11页
目的 以导视系统为载体赋予川西林盘农耕文化新意境,是展现农耕文化的一种有效形式。以成都市郫都区林盘农耕文化导视系统设计为模型,以乡村发展复兴为契机推进农耕文化与乡村产业革新相融合,打造突显川西林盘特色的导视系统。方法 结... 目的 以导视系统为载体赋予川西林盘农耕文化新意境,是展现农耕文化的一种有效形式。以成都市郫都区林盘农耕文化导视系统设计为模型,以乡村发展复兴为契机推进农耕文化与乡村产业革新相融合,打造突显川西林盘特色的导视系统。方法 结合设计符号学理论,从元素符号的语义、语用、语境、语构四个维度,剖析川西林盘导视系统设计方法,以造型元素、色彩、材质肌理等客体对象解构导视系统符号化体系;同时与“境-景-人-物”四维体系相结合构建川西林盘导视系统。结果 表达林盘农耕文化外延造型及内涵意识,借助导视系统唤起川西农耕文化审美范式记忆,建立具有农耕文化特征符号的导视系统设计方法。结论 保护与传承川西农耕文化特色,提升川西林盘整体文化形象,拓展现代乡村导视系统设计思路。 展开更多
关键词 川西林盘 导视系统设计 设计符号学 农耕文化
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维特根斯坦哲学视角下的商周青铜器纹饰研究
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作者 齐秀芝 贺雪梅 《家具与室内装饰》 北大核心 2024年第2期64-71,共8页
文章基于维特根斯坦的哲学符号学思想,以商周时期的青铜器纹饰为研究对象,通过分析其符号学系统,深入探讨青铜器纹饰的文化内涵和逻辑演变。从符号学视角,结合青铜器实际案例,分析纹饰的形式结构和符号系统。通过对商周时期青铜器的历... 文章基于维特根斯坦的哲学符号学思想,以商周时期的青铜器纹饰为研究对象,通过分析其符号学系统,深入探讨青铜器纹饰的文化内涵和逻辑演变。从符号学视角,结合青铜器实际案例,分析纹饰的形式结构和符号系统。通过对商周时期青铜器的历史背景进行深入阐述,揭示青铜器在当时社会中的重要性。通过对青铜器纹饰的逻辑系统分析,突显其在礼器、容器等不同器类中的使用规则和文化内涵。强调母题与主题之间的关系,阐释青铜器纹饰的符号演变过程,并将其置于商周历史背景下进行深层次的哲学符号学解读。通过本研究,不仅深化了对青铜器纹饰的理解,还为维特根斯坦的符号学理论在考古学研究中的应用提供了有益的范例。 展开更多
关键词 维特根斯坦 符号学 青铜器 纹饰 逻辑系统
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凝视与想象:《回响》的回响——东西小说《回响》和电视剧《回响》读札
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作者 石竹青 任子钰 《辽宁师范大学学报(社会科学版)》 2024年第1期9-13,共5页
文学作品文本与影视艺术剧本的改编由来已久。可以说,中国现当代文学作品,始终为影视创作提供着不竭的文学、文化支撑。影视短剧《回响》以其超高的文本还原度,深度地反映当下的现实情境和时代症候,在想象与现实的缝隙中建构起能够触摸... 文学作品文本与影视艺术剧本的改编由来已久。可以说,中国现当代文学作品,始终为影视创作提供着不竭的文学、文化支撑。影视短剧《回响》以其超高的文本还原度,深度地反映当下的现实情境和时代症候,在想象与现实的缝隙中建构起能够触摸灵魂、心灵的场域,激发起警示人性的回响。本文通过对东西的长篇小说《回响》的影视化改编进行分析,从改编策略、主题哲思与心理关照等角度切入,探究在文学与影视交融中,在镜像呈现与文学想象之间,对于现实、人生和时代的多重反思和建构。 展开更多
关键词 《回响》 文学改编 文学性 想象 人性
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新时代中国马克思主义文论的理论创新
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作者 李西建 尚琨 《陕西师范大学学报(哲学社会科学版)》 北大核心 2024年第1期19-26,共8页
新时代中国马克思主义文论的理论创新,是党的十八大以来推进马克思主义中国化在文艺领域取得的重要成果,也是习近平对当代中国和21世纪马克思主义文论话语体系建设做出的原创性贡献。这一理论创新不仅只是知识谱系的转换,而是代表了马... 新时代中国马克思主义文论的理论创新,是党的十八大以来推进马克思主义中国化在文艺领域取得的重要成果,也是习近平对当代中国和21世纪马克思主义文论话语体系建设做出的原创性贡献。这一理论创新不仅只是知识谱系的转换,而是代表了马克思主义文论话语体系的整体建构与创造。其内涵包括:习近平新时代中国特色社会主义思想体系的创立,为当代中国马克思主义文论理论创新奠定了重要思想基础;坚持把马克思主义基本原理同当代文艺实际及中华优秀传统文化相结合,内在培植了马克思主义文论理论创新的精神沃土与根基;以弘扬人类命运共同体意识和推进文化现代化目标的实现,科学构建了一种具有中国风格和凸显现代价值蕴含的马克思主义文论理论谱系,继而从根本上促进和实现了新时代中国马克思主义文论的范式转换,展现为一种思想“合力”的力量,也为中华民族伟大复兴和社会主义文化事业的发展繁荣,提供了一种完整系统的价值引领和理论支撑。 展开更多
关键词 马克思主义中国化 中国马克思主义文论理论 马克思主义文论理论创新 马克思主义文论话语体系
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论标语和口号的媒介特性与符号表意
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作者 胡易容 第五淳 《西北师大学报(社会科学版)》 北大核心 2024年第2期39-48,共10页
在一般符号学和媒介理论的透视下,标语和口号不仅仅是语言符号,亦不能被笼统地看成语言媒介的内容。它们本身即是不同类型的媒介形式,具有各自的媒介特性和意指机制。口号调动“副语言”和非语言符号的参与,生产听觉主导意义共享的仪式... 在一般符号学和媒介理论的透视下,标语和口号不仅仅是语言符号,亦不能被笼统地看成语言媒介的内容。它们本身即是不同类型的媒介形式,具有各自的媒介特性和意指机制。口号调动“副语言”和非语言符号的参与,生产听觉主导意义共享的仪式化空间;而“实物性”则是标语区别于书面和印刷品等一般文字媒介的根本特性。“以物为媒”的文字传播形式决定了标语的文本结构内涵着“语言”和“图像”两个符号表意维度。经过广泛实践和丰富积累,标语在当代中国的传播格局中具有了“中介机构”或“中间物”、技术和物质形式、传媒和文化体制三个层面的媒介意涵。 展开更多
关键词 标语 口号 符号媒介 文字 语图关系
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河西走廊文化翻译传播研究
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作者 曹进 陈怡莉 《兰州文理学院学报(社会科学版)》 2024年第2期23-30,共8页
从洛特曼文化符号学的角度出发,探析文本的三个功能在河西走廊文化翻译传播过程中产生的影响,并探索河西走廊文化国际表达的有效路径。研究发现,文本的信息记忆功能指导译者在翻译中还原原文的历史信息,通过重构文化联想的空间来引发读... 从洛特曼文化符号学的角度出发,探析文本的三个功能在河西走廊文化翻译传播过程中产生的影响,并探索河西走廊文化国际表达的有效路径。研究发现,文本的信息记忆功能指导译者在翻译中还原原文的历史信息,通过重构文化联想的空间来引发读者的共鸣;信息传递功能引导译者采取迂回婉转的方式转换原文,消除文化不匀质现象,实现最大化的信息等值传递;文本的信息生成功能解决两种语言文化空缺或概念空缺的现象。 展开更多
关键词 河西走廊 文化符号学 文本功能
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论“批判诗学”的品质——赵勇《走向批判诗学:理论与实践》试评
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作者 路遥 李自召 《兰州文理学院学报(社会科学版)》 2024年第1期9-12,共4页
《走向批判诗学:理论与实践》勾勒了“批判诗学”的理论路径和具体实践,是针对中国批评现状所提出的创造性的文艺理论话语。当下文学批评的困境之一是学院批评及论文体,深层威胁则在于批判精神流失。应对批评的窘境,批判诗学具有以下品... 《走向批判诗学:理论与实践》勾勒了“批判诗学”的理论路径和具体实践,是针对中国批评现状所提出的创造性的文艺理论话语。当下文学批评的困境之一是学院批评及论文体,深层威胁则在于批判精神流失。应对批评的窘境,批判诗学具有以下品质:它从内在批评和文学介入获取方法论资源和价值观取向,以介入为实践品格;从马克思主义传统和法兰克福学派汲取元气和力量,以批判为核心立场;重视互动和对话,力图在艺术自主与文学介入之间、作家与知识分子角色扮演之间等寻找一条中间道路,以居间为路径和方法;反思、拓展童庆炳的文化诗学话语而有所创造,交融文学研究和文化研究,尝试新的建构。 展开更多
关键词 “批判诗学” 文艺理论 文学批评
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“审美降级”论:数媒时代文艺评论的困境与重构
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作者 杨杰 杨晨 《厦门大学学报(哲学社会科学版)》 北大核心 2024年第2期142-149,共8页
“审美降级”论与当下“技术升级”的文艺发展态势渐行渐远,具体表现为文艺实践的数据主宰、权力让渡和审美霸凌等审美异化态势。作为文艺实践重要一环的文艺评论,也面临评论客体延展化、评论话语滞后化、评论时空交错化的新挑战。究其... “审美降级”论与当下“技术升级”的文艺发展态势渐行渐远,具体表现为文艺实践的数据主宰、权力让渡和审美霸凌等审美异化态势。作为文艺实践重要一环的文艺评论,也面临评论客体延展化、评论话语滞后化、评论时空交错化的新挑战。究其困境根源,在于数媒时代文艺评论审美对象性关系的错位及审美公共空间“最大公约数”的缺失。鉴于此,秉承马克思主义美学观点与历史观点相统一的文艺评论原则,提升文艺评论主体的审美素养和媒介素养。立足时代精神和文艺精神,以审美化“情感共同体”作为文艺评论话语公共空间构建逻辑基点,以对话与融合为路径实现公共空间“公共性”目标,成为文艺评论“审美升级”亟待完成的重要任务。 展开更多
关键词 数媒时代 文艺评论 审美降级 数字逻辑
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文学评价体系的确立与经典作家作品的价值重估
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作者 王卫平 曹庆慧 《河北学刊》 北大核心 2024年第1期37-44,共8页
回顾文学批评和文学研究,从新时期、新世纪到新时代已取得了公认的成就,但也存在若干问题和不足。如何提升文学批评和文学研究的影响力、公信力?如何增强文学研究的体系性和原创力?如何更大地发挥文学批评的作用?这是摆在我们面前的严... 回顾文学批评和文学研究,从新时期、新世纪到新时代已取得了公认的成就,但也存在若干问题和不足。如何提升文学批评和文学研究的影响力、公信力?如何增强文学研究的体系性和原创力?如何更大地发挥文学批评的作用?这是摆在我们面前的严峻课题。我们首先要建构起科学的、完整的文学评价体系和正确的价值取向。然后,以此重估经典作家作品的价值,完成再解读、再阐释和价值重估的重任,这是今后文学研究的主要任务之一,也是延续经典作家作品生命力的主要途径,更是加快构建中国特色文学“三大体系”的重要举措。而文本发现、理论激发、现实激活是经典作家作品再阐释和价值重估的三条路径。 展开更多
关键词 评价体系 价值取向 经典作家作品 重估 基本路径
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文明互鉴:中国自主知识体系建构的重要意识
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作者 曹顺庆 刘诗诗 《社会科学研究》 北大核心 2024年第2期25-31,212,共8页
自晚清民初西方学术传入中国以来,基于西方话语体系和学术体系建构的文科知识体系近乎主导了中国文科百年以来的构建进程。在这百余年间,如何重塑中国哲学社会科学的知识体系,重建中国理论话语一直都是世纪之题,是一代又一代中国学人孜... 自晚清民初西方学术传入中国以来,基于西方话语体系和学术体系建构的文科知识体系近乎主导了中国文科百年以来的构建进程。在这百余年间,如何重塑中国哲学社会科学的知识体系,重建中国理论话语一直都是世纪之题,是一代又一代中国学人孜孜以求力图解决的目标,而“建构中国自主知识体系”命题的提出引发了又一轮激烈的研讨。文章指出中国自主知识体系的建构不仅要立足中国实际、中国经验,更需要将中国文化放置于“文明互鉴”的视野下审视西方经验、西方实践以及西方理论。通过史实的梳证可知,包括“浪漫主义”“意象派”“新批评”“生态伦理批评”等诸多英美文论的形成明显汲取了来自中国文化哲学的元素。以此延展,文章提出了中外文论互鉴史研究、文论他国化变异研究、比较诗学变异研究等以中国为视角、以中国理论为建构方法的新领域,提出属于自身的标志性概念、创新性问题。做到知识自主,更要做到阐释自主,才能解决话语问题,解决人文社会科学“说不出”“不想说”“不敢说”的“卡嗓子”难题。 展开更多
关键词 文明互鉴 文论互鉴 英美文论 自主知识体系 中国话语
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