There are numer-ous Buddhist monasteries in Tibetan areas. Among the bestknown are Labrang and Langmu monasteries in Gan-nan Tibet Autonomous Prefecture, Gansu Province, Tar (Kumbum) Monastery in Qinghai Province and ...There are numer-ous Buddhist monasteries in Tibetan areas. Among the bestknown are Labrang and Langmu monasteries in Gan-nan Tibet Autonomous Prefecture, Gansu Province, Tar (Kumbum) Monastery in Qinghai Province and Tashil-hunpo in Tibet Autonomous Region.展开更多
The illustrations for Tibetan sutras are coloured in two ways:in black and white or colours-the monotone illustrations accompanying Tibetan characters and usually engraved on woodblocks.The illustrations are often sho...The illustrations for Tibetan sutras are coloured in two ways:in black and white or colours-the monotone illustrations accompanying Tibetan characters and usually engraved on woodblocks.The illustrations are often showed on the cover pages or two sides of the head pages of sutras; they are frequently displayed at two frames and in the middle of end pages.In this paper,I am going to introduce展开更多
Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, met...Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, methods, and materials used in Tibetan （Tantric） Buddhist painting by observing its working process at first hand, and having attended a number of its exhibitions, art workshops, and other resources both at home and overseas. The survey of the technical aspect of Tibetan painting is primarily based upon the general usage of materials, as well as the method and the usual order of their application that relates to most kinds of mural paintings in Tibet, and which are less well-known in the West This paper aims to present a rich and somewhat complicated range of methods and materials of Tibetan （Tantric] Buddhist art tradition. To its end, the author hopes it also provides more indication of its possible influence of the traditional artistic wealth in Tibet on contemporary artists working in relation to this culture.展开更多
The practice of prajnaparamita(gcod in Tibetan)plays a unique role in the process of sinicization of Buddhism.The origin of prajnaparamita reflects the adaptation of the Buddhism in Tibetan in accordance with the circ...The practice of prajnaparamita(gcod in Tibetan)plays a unique role in the process of sinicization of Buddhism.The origin of prajnaparamita reflects the adaptation of the Buddhism in Tibetan in accordance with the circumstances in Tibet.This article,based on the academic research on the birthplace,the dates of birth and death,the parents,and the children,believes that her husband Thoipa Bare(thod pa vbav re in Tibetan)and relatives are native Tibetans,the Buddhist text entitled mahamudra the Object to Cut(nang chos phyag rgya chen mob dud kyi gcod yul in Tibetan)is an authentic Tibetan work.展开更多
文摘There are numer-ous Buddhist monasteries in Tibetan areas. Among the bestknown are Labrang and Langmu monasteries in Gan-nan Tibet Autonomous Prefecture, Gansu Province, Tar (Kumbum) Monastery in Qinghai Province and Tashil-hunpo in Tibet Autonomous Region.
文摘The illustrations for Tibetan sutras are coloured in two ways:in black and white or colours-the monotone illustrations accompanying Tibetan characters and usually engraved on woodblocks.The illustrations are often showed on the cover pages or two sides of the head pages of sutras; they are frequently displayed at two frames and in the middle of end pages.In this paper,I am going to introduce
文摘Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, methods, and materials used in Tibetan （Tantric） Buddhist painting by observing its working process at first hand, and having attended a number of its exhibitions, art workshops, and other resources both at home and overseas. The survey of the technical aspect of Tibetan painting is primarily based upon the general usage of materials, as well as the method and the usual order of their application that relates to most kinds of mural paintings in Tibet, and which are less well-known in the West This paper aims to present a rich and somewhat complicated range of methods and materials of Tibetan （Tantric] Buddhist art tradition. To its end, the author hopes it also provides more indication of its possible influence of the traditional artistic wealth in Tibet on contemporary artists working in relation to this culture.
文摘The practice of prajnaparamita(gcod in Tibetan)plays a unique role in the process of sinicization of Buddhism.The origin of prajnaparamita reflects the adaptation of the Buddhism in Tibetan in accordance with the circumstances in Tibet.This article,based on the academic research on the birthplace,the dates of birth and death,the parents,and the children,believes that her husband Thoipa Bare(thod pa vbav re in Tibetan)and relatives are native Tibetans,the Buddhist text entitled mahamudra the Object to Cut(nang chos phyag rgya chen mob dud kyi gcod yul in Tibetan)is an authentic Tibetan work.
