The key point in studying or teaching the history of Chinese medicine is on the doctrines underlying it and on its perception of the body,physiology,pathology,and its treatment.Namely,there is often a tendency to focu...The key point in studying or teaching the history of Chinese medicine is on the doctrines underlying it and on its perception of the body,physiology,pathology,and its treatment.Namely,there is often a tendency to focus on reading and analysing the classical canons and therapy-related texts including formularies and materia medica collections.However,focusing on these sources provides us with a one-sided presentation of Chinese medicine.These primary sources lack the clinical down-to-earth know-how that encompasses medical treatment,which are represented,for instance,in the clinical rounds of modern medical schools.Our traditional focus on the medical canons and formularies provides almost no clinical knowledge,leaving us with a one-sided narrative that ignores how medicine and healing are actually practiced in the field.This paper focuses on the latter aspect of medicine from a historical perspective.Using written and visual sources dating to the Song dynasty,clinical encounters between doctors and patients including their families are depicted based on case records recorded by a physician,members of the patient’s family,and bystanders.This array of case records or case stories will enable us to narrate the interaction between physicians and patients both from the clinical perspective and from the social interaction.This paper will also discuss visual depictions of the medical encounter to provide another perspective for narrating medicine during the Song dynasty.Medical case records and paintings depicting medical encounters are exemplary of the potential of Chinese primary sources for narrative medicine.展开更多
This paper focuses on the English translation of Xu Yuanchong’s Analects,explains in depth the theory of semantic equivalence and the theory of verve reproduction.It analyzes the application and integration of these ...This paper focuses on the English translation of Xu Yuanchong’s Analects,explains in depth the theory of semantic equivalence and the theory of verve reproduction.It analyzes the application and integration of these two theories by Xu Yuanchong in detail.Through a comprehensive textual analysis,this paper summarizes the remarkable achievements of the English translation of the Analects,such as the accurate transmission of semantics and the vivid reproduction of cultural charm,which is expected to bring new thinking directions and valuable references to the study of the English translation of the Analects.展开更多
Xu Chunfu was a famous medical expert in the Ming Dynasty, who authored the Gu Jin Yi Tong Da Quan and the Yi Xue Zhi Nan Jie Jing Liu Shu. This paper uses the Xu family genealogy, literature catalog, historical recor...Xu Chunfu was a famous medical expert in the Ming Dynasty, who authored the Gu Jin Yi Tong Da Quan and the Yi Xue Zhi Nan Jie Jing Liu Shu. This paper uses the Xu family genealogy, literature catalog, historical records to study the Xu family’s life and deeds. Xu Chunfu was born in the second year of the Jiajing reign of the Ming Dynasty (1523) and passed away in the 24th year of the Wanli reign of the Ming Dynasty (1596). He served as an official in the Tai Hospital for about 20 years. His work Gu Jin Yi Tong Da Quan was written around the 43rd year of the Jiajing reign of the Ming Dynasty (1556), with a lower limit of the fifth year of the Longqing reign of the Ming Dynasty (1571), and the initial engraving time was not earlier than the eighth year of the Wanli reign of the Ming Dynasty (1580). This paper corrects the shortcomings and errors in previous research, and provides a comprehensive and systematic examination of Xu Chunfu’s life and works.展开更多
On August 18,2019,Xu exhibited“The Dragonfly’s Eye”in Today Art Museum.As a respectable writer,Xu drew attention to his elaboration to his illustration of the dragonfly through his own work through incorporating hi...On August 18,2019,Xu exhibited“The Dragonfly’s Eye”in Today Art Museum.As a respectable writer,Xu drew attention to his elaboration to his illustration of the dragonfly through his own work through incorporating his own artistic interpretation as the new creative mode and idea in art media,further highlighting features of“The Dragonfly’s Eye”.The aesthetic feeling of human nature is emphasized in the creation of Dragonfly’s Eye.Unlike typical contemporary art video works,Dragonfly Eye delivers a whole course of illustration with exceptional production method-through the utilization of existing downloadable videos on the Internet.The project utilizes the romantic story between a young couple to comment on views of life and soul in the contemporary society.Seemingly novelty,the project ultimately centralizes at the idea of the critiquing human nature in the modern ages.展开更多
“Stillness”,as the Vimoksha state of Buddhism’s Nirvana state,is the ultimate experience of religious practice.It has rich connotations.Firstly,“Stillness”is an ultimate aesthetic experience;secondly,“Stillness...“Stillness”,as the Vimoksha state of Buddhism’s Nirvana state,is the ultimate experience of religious practice.It has rich connotations.Firstly,“Stillness”is an ultimate aesthetic experience;secondly,“Stillness”means transcending real society,the secular world and utility.In Lao-tzu’s thought,“To the Ultimate,You Yourself Empty”,“Remain in Silence and Clarity”,“Anātman”,etc.,are presented,showing that Buddhism and Lao-tzu have some commonalities.Based on the text,this article will make a simple comparative analysis,after separately discussing Lao-tzu’s“Xu Jing”and Buddhism’s“Silence”,in order to show their similarities and differences more fully and objectively.展开更多
The Mao Dun Literature Prize is one of the well-known literary awards in China,and in the process of selection over the years,the Mao Dun Literature Prize has developed its own aesthetic orientation.A comparison is ma...The Mao Dun Literature Prize is one of the well-known literary awards in China,and in the process of selection over the years,the Mao Dun Literature Prize has developed its own aesthetic orientation.A comparison is made between the early generation of Xu Mao and His Daughters and the recent award-winning work,A Tale of the Wind,to discover the aesthetic heritage in its flux,which is enlightening for the literary criticism and an orientation for the literary creators.展开更多
基金This study is financed by the grants from Israel Science Foundation(No.ISF-1199/16)Chiang Ching-kuo Foundation for International Scholarly Exchange(No.RG001-U-19).
文摘The key point in studying or teaching the history of Chinese medicine is on the doctrines underlying it and on its perception of the body,physiology,pathology,and its treatment.Namely,there is often a tendency to focus on reading and analysing the classical canons and therapy-related texts including formularies and materia medica collections.However,focusing on these sources provides us with a one-sided presentation of Chinese medicine.These primary sources lack the clinical down-to-earth know-how that encompasses medical treatment,which are represented,for instance,in the clinical rounds of modern medical schools.Our traditional focus on the medical canons and formularies provides almost no clinical knowledge,leaving us with a one-sided narrative that ignores how medicine and healing are actually practiced in the field.This paper focuses on the latter aspect of medicine from a historical perspective.Using written and visual sources dating to the Song dynasty,clinical encounters between doctors and patients including their families are depicted based on case records recorded by a physician,members of the patient’s family,and bystanders.This array of case records or case stories will enable us to narrate the interaction between physicians and patients both from the clinical perspective and from the social interaction.This paper will also discuss visual depictions of the medical encounter to provide another perspective for narrating medicine during the Song dynasty.Medical case records and paintings depicting medical encounters are exemplary of the potential of Chinese primary sources for narrative medicine.
文摘This paper focuses on the English translation of Xu Yuanchong’s Analects,explains in depth the theory of semantic equivalence and the theory of verve reproduction.It analyzes the application and integration of these two theories by Xu Yuanchong in detail.Through a comprehensive textual analysis,this paper summarizes the remarkable achievements of the English translation of the Analects,such as the accurate transmission of semantics and the vivid reproduction of cultural charm,which is expected to bring new thinking directions and valuable references to the study of the English translation of the Analects.
基金the 2020 National Social Science Foundation Major Project(20&ZD222)Open Project of Key Laboratory of Xin’an Medical Education in 2022,“Research on the Active Utilization of Intangible Cultural Heritage Resources in the Gu Jin Yi Tong Da Quan"(2022xayx01)2022 Anhui Provincial Central Finance Traditional Chinese Medicine Special Fund“North Huatuo,South Xin’an”Inheritance and Innovation Project:Systematic Compilation and Audiovisual Protection Research of Xin’an Medical Traditional Medicine Intangible Cultural Heritage Project(2022BHTNXA02).
文摘Xu Chunfu was a famous medical expert in the Ming Dynasty, who authored the Gu Jin Yi Tong Da Quan and the Yi Xue Zhi Nan Jie Jing Liu Shu. This paper uses the Xu family genealogy, literature catalog, historical records to study the Xu family’s life and deeds. Xu Chunfu was born in the second year of the Jiajing reign of the Ming Dynasty (1523) and passed away in the 24th year of the Wanli reign of the Ming Dynasty (1596). He served as an official in the Tai Hospital for about 20 years. His work Gu Jin Yi Tong Da Quan was written around the 43rd year of the Jiajing reign of the Ming Dynasty (1556), with a lower limit of the fifth year of the Longqing reign of the Ming Dynasty (1571), and the initial engraving time was not earlier than the eighth year of the Wanli reign of the Ming Dynasty (1580). This paper corrects the shortcomings and errors in previous research, and provides a comprehensive and systematic examination of Xu Chunfu’s life and works.
文摘On August 18,2019,Xu exhibited“The Dragonfly’s Eye”in Today Art Museum.As a respectable writer,Xu drew attention to his elaboration to his illustration of the dragonfly through his own work through incorporating his own artistic interpretation as the new creative mode and idea in art media,further highlighting features of“The Dragonfly’s Eye”.The aesthetic feeling of human nature is emphasized in the creation of Dragonfly’s Eye.Unlike typical contemporary art video works,Dragonfly Eye delivers a whole course of illustration with exceptional production method-through the utilization of existing downloadable videos on the Internet.The project utilizes the romantic story between a young couple to comment on views of life and soul in the contemporary society.Seemingly novelty,the project ultimately centralizes at the idea of the critiquing human nature in the modern ages.
文摘“Stillness”,as the Vimoksha state of Buddhism’s Nirvana state,is the ultimate experience of religious practice.It has rich connotations.Firstly,“Stillness”is an ultimate aesthetic experience;secondly,“Stillness”means transcending real society,the secular world and utility.In Lao-tzu’s thought,“To the Ultimate,You Yourself Empty”,“Remain in Silence and Clarity”,“Anātman”,etc.,are presented,showing that Buddhism and Lao-tzu have some commonalities.Based on the text,this article will make a simple comparative analysis,after separately discussing Lao-tzu’s“Xu Jing”and Buddhism’s“Silence”,in order to show their similarities and differences more fully and objectively.
文摘The Mao Dun Literature Prize is one of the well-known literary awards in China,and in the process of selection over the years,the Mao Dun Literature Prize has developed its own aesthetic orientation.A comparison is made between the early generation of Xu Mao and His Daughters and the recent award-winning work,A Tale of the Wind,to discover the aesthetic heritage in its flux,which is enlightening for the literary criticism and an orientation for the literary creators.
