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The Silent Curriculum:Classical Aesthetics as a Catalyst for Emotional and Social Skills in Higher Vocational Education
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作者 Jingyi Duan Suhan Wu Min Luo 《Journal of Contemporary Educational Research》 2024年第10期139-147,共9页
This study examines the integration of classical aesthetics into the silent curriculum of higher vocational education,emphasizing its potential to significantly enhance emotional and social skills.Incorporating aesthe... This study examines the integration of classical aesthetics into the silent curriculum of higher vocational education,emphasizing its potential to significantly enhance emotional and social skills.Incorporating aesthetic principles into education emphasizes the importance of nurturing emotional intelligence,creativity,and cultural awareness in students-skills that go beyond the classroom and are essential for their growth,adaptability,and future careers.It explores theoretical foundations and practical implementations and addresses challenges such as the need for specialized educator training,overcoming institutional resistance,and securing adequate resources.Advocating for empirical research and strategic cultural partnerships,the paper proposes a transformative approach to vocational education,aligning it with contemporary societal and labor market demands,and underscores the vital role of classical aesthetics in enriching vocational training and enhancing student outcomes. 展开更多
关键词 classical aesthetics Emotional intelligence Social skills Silent curriculum Vocational education
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Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics
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作者 Yang Guang 《Contemporary Social Sciences》 2023年第3期132-144,共13页
The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through bac... The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness. 展开更多
关键词 plainness classical aesthetics the“People’s Films ”subjectivity
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Reading "A Dream in Red Mansions"and Seeing the Holographic Image of Chinese Classical Furniture Art
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作者 Wu Xuejuan Yuan Yuan 《International Journal of Technology Management》 2014年第6期1-3,共3页
The furniture world of "A Dream in Red Mansions" is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet ... The furniture world of "A Dream in Red Mansions" is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet the pursuit of aesthetic contentment. On different occasions, coordinated with different furniture, it can form a hamaonious picture with the enviromnent. At the same time, their display range and combination mode also strictly follow different etiquette systems. In the red mansions, it shows the artistic beauty and is in the feudal shadow, and there is no exception in the furniture world. For "A Dream in Red Mansions" , it is how beautiful and how sad it is! 展开更多
关键词 A Dream in Red Mansions classical furniture aesthetic taste
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