The creative industry is a knowledge-based industry,but it is difficult and complex to create knowledge for enterprises.The principle of cooperationsharing posits that companies’limited resources prohibit them from g...The creative industry is a knowledge-based industry,but it is difficult and complex to create knowledge for enterprises.The principle of cooperationsharing posits that companies’limited resources prohibit them from gaining a competitive advantage in all business areas.Therefore,cooperation-sharing can help businesses overcome this hurdle.Cooperation-sharing expedites economic development,breaks the barrier of independent knowledge creation,and enhances resource utilization.However,the effectiveness and stability of knowledge cooperation-sharing are key problems facing governments and other regulators.This study can help regulators promote honesty in enterprise cooperation-sharing.Based on the hypothesis of bounded rationality,the evolutionary game theory was used to construct the“Enterprises–Informal Institutions–Government”tripartite game matrix.Next,based on this game matrix,a simulation analysis method was used to analyze the effects of external incentives on the stability of evolutionary strategies.The analysis shows that the strategic choice of the“Enterprises–Informal Institutions–Government”tripartite game could be affected by the initial state strategy choices of the other two players,but more influential were the cost and external incentive levels of the game players.The results indicate that the government and informal institutions should regulate enterprises with a rational external incentive mechanism that boosts the enterprises’incentive to cooperate honestly.Thus,an effective external incentive mechanism can significantly improve the probability of enterprises behaving honestly in cooperation-sharing and promote the development of the creative industry.展开更多
The duality of cultural and creative industry can maintain the independence of creative birth and management as well as taking into account of the artistic and marketability of creativity.Income distribution contracts...The duality of cultural and creative industry can maintain the independence of creative birth and management as well as taking into account of the artistic and marketability of creativity.Income distribution contracts that link the design process to the commercial value of creative ideas can solve the problem of quantitative incentives for creative subjects.At the same time,it can encourage creative subjects to complete commercial and artistic design activities.The principal-agent relationship between the upstream and downstream of the industrial chain is utilized to stimulate the creation of creative ideas in line with market conditions,so as to solve the problem of duality reconciliation of cultural and creative industries.Through the design of the cultural creative industry chain dual task creative incentive contract,in the process of encouraging creative design subjects to complete the design of the work to give consideration to the coordination of duality.By analyzing the influences of design capability,risk,cost coefficient and binary correlation on the optimal investment level and the optimal risk sharing level of creative subjects in two types of design activities,the input transfer caused by the variation of the above conditions is further discussed.展开更多
With the rapid development of China’s cultural and creative industries,the influence of cultural and creative ideas in fashion design is increasing,and art talents with innovative ability have become hot objects in t...With the rapid development of China’s cultural and creative industries,the influence of cultural and creative ideas in fashion design is increasing,and art talents with innovative ability have become hot objects in the society.As the cradle of fashion design talents training and output,colleges and universities in our country shoulder the important task of training fashion design talents in the new period.In the current clothing design curriculum reform,school enterprise cooperation and collaborative innovation have become an important development direction.Under this background,this paper analyzes the teaching reform path of women’s clothing design course in Colleges and universities.展开更多
Cultural diversity originates from modern cultural industries. The UN's decade–long promotion of cultural diversity coincides with the advancement of China's cultural and creative industries; however, China&#...Cultural diversity originates from modern cultural industries. The UN's decade–long promotion of cultural diversity coincides with the advancement of China's cultural and creative industries; however, China's situation is different from the creative economy advocated by the UN in terms of developmental logic. The policy of cultural diversity provides a basis for the UN to push forward the development of cultural and creative industries in developing countries. It is derived from the developmental theories of developed countries, which regard creativity(innovation) as a "technique" and overlook its uniqueness. The digital revolution has never given fair play to developing countries which explains why the UN's promotion of cultural diversity has not yet helped developing countries to substantially increase their exports of cultural goods and services in the past ten years. Nevertheless, the development of the in ternet and digital technology may create an opportunity for developing countries to catch up with and surpass their developed neighbors. China's unique approach to cultural and creative development may serve as a model for the international community to pursue sustainable development in the future.展开更多
As one of the important aspects of cultural life,brand has obvious cultural attributes.As an important branch of the cultural and creative industry,brand design is not only the concrete expression of human wisdom,but ...As one of the important aspects of cultural life,brand has obvious cultural attributes.As an important branch of the cultural and creative industry,brand design is not only the concrete expression of human wisdom,but also a product in the process of continuous cultural development,which can positively interpret human’s innovative spirit and innovative concept.Therefore,a systematic study on the effective use of western culture in brand design and a detailed analysis on the impact as well as enlightenment of the use of western culture in brand design on the cultural and creative industry are carried out,so as to lay a solid foundation for the improvement of the cultural innovation level in the field of brand design and the all-round development of cultural and creative industry in China.展开更多
Salt culture is the main component of traditional culture in Zigong,Sichuan.With centuries of history,it has accumulated rich cultural connotations.At present,Zigong salt culture,as a precious traditional cultural wea...Salt culture is the main component of traditional culture in Zigong,Sichuan.With centuries of history,it has accumulated rich cultural connotations.At present,Zigong salt culture,as a precious traditional cultural wealth,has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology,giving full play to the resource advantages of its traditional culture.This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era.Combining digital new media technology with cultural and creative industries,Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries,promote the cultivation of cultural and creative brands based on digital new media technology.This article aims to give relevant strategies with reference value,so as to make corresponding contributions to the development path of Zigong salt culture in the future.展开更多
While industrial manufacturing is giving way to the creative economy in the 21^(st) century,Shanghai-similar to many major cities around the world-is keen to bolster a stronger economy and increase its competitive...While industrial manufacturing is giving way to the creative economy in the 21^(st) century,Shanghai-similar to many major cities around the world-is keen to bolster a stronger economy and increase its competitiveness by encouraging the development of cultural and creative industries.Over the past decade,the Shanghai municipal government has made a concerted effort to exploit the heritage assets of the city’s industrial past to reform its economic structure.There has been a deliberate attempt to establish a stronger correlation between industrial heritage conservation and creative industry cluster development.The aim of this research is to investigate the process of converting former industrial sites into loci of creativity.In doing so,we can determine the main actors,how different stakeholder groups came into play and the evolution of the subtle interplay between the designation of heritage architecture and that of creative industry cluster.Drawing on qualitative research methods,this paper presents a detailed analysis of three case studies in Shanghai:M50 Creative Park,1933 Shanghai and the Cool Docks.The results reveal the changing positions of three major stakeholder groups.Whereas the private sector and the general public have developed increasing interests in the embedded economic and cultural values of the former industrial structures,local government has consciously reduced its presence and influence in valorising industrial heritage.Thus,the growing public awareness of cultural heritage protection and the increasing interest in the economic contribution of cultural and creative industries are intrinsic to Shanghai’s reindustrialisation in the 21^(st) century.展开更多
Creative Cities in Practice:European and Asian Perspectives Authors:Yan TANG,Klaus R.Kunzmann Year:2013Publisher:Tsinghua University Press ISBN:9787302325192(281 pages,in Chinese)The book,titled Creative Cities in Pra...Creative Cities in Practice:European and Asian Perspectives Authors:Yan TANG,Klaus R.Kunzmann Year:2013Publisher:Tsinghua University Press ISBN:9787302325192(281 pages,in Chinese)The book,titled Creative Cities in Practice:European and Asian Perspectives,by Dr.Yan TANG and Prof.Klaus R.Kunzmann,is an outstanding piece of work introducing creative industry and creative cities in a fairly comprehensive and展开更多
The aim is to examine how the creative sectors and professionals contribute to the manufacturing industry and agribusiness in the new era of globalization.Creative sectors can develop innovations and experiences as pa...The aim is to examine how the creative sectors and professionals contribute to the manufacturing industry and agribusiness in the new era of globalization.Creative sectors can develop innovations and experiences as part of their own activities,as well as procedures,technologies,and routines in business models,which increase the efficiency or the quality of the results.Creative professionals can support innovation and the generation of experiences.展开更多
Accompanied with the industry value chain extension,the creative originality research and promotion are becoming the major voice of textile industry.Currently,"2010 China International Fabric Design Contest &...Accompanied with the industry value chain extension,the creative originality research and promotion are becoming the major voice of textile industry.Currently,"2010 China International Fabric Design Contest & China Textile City Recommendation Meeting" convened in Beijing ceremoniously.Vice-chairman of China Textile & Apparel Council,Wang Tiankai and head of Shaoxing city government participated in the conference and gave speech on the industry market circumstance.展开更多
The aim is to analyse the situation of Brazilian creative workers in the gig economy during the COVID-19 pandemic.The main argument indicates that,despite the opportunities for entrepreneurship brought by gig economy ...The aim is to analyse the situation of Brazilian creative workers in the gig economy during the COVID-19 pandemic.The main argument indicates that,despite the opportunities for entrepreneurship brought by gig economy during the COVID-19 pandemic,Brazilian creative workers may be open to exploitation and lower wages and show lower levels of satisfaction compared to the creative activities they used to have before the pandemic.The workers became even more exposed to the lack of long-standing protections-such as a minimum wage,safety and health regulation,retirement income,health insurance,and worker compensation-and risks that were previously shouldered by employers and the state,including responsibility for bodily injury,damage to tools and assets,coverage between paid gigs,financial malfeasance by customers,and harassment.展开更多
A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural indus...A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural industries into cultural and creative industries, the priority is economic restructuring, and specifically upgrading low-end manufacturing through creation. From the Internet way of thinking to "Internet+," from theories to practice, high technologies represented by the Internet have deeply integrated with culture, thereby opening a new dimension of innovation and creation to enhance the dynamics of creative industries and a creative economy. The fast-growing maker movement is an excellent strategy for China to develop into a great country of originality. Core contents of this movement include facilitating national originality, achieving leaping development of originality of our cultural and creative industries, promoting Internet celebrity economy, VR, AR, and other new experiments and new forms. What should correspond to "Internet+" and "Maker space" is "Culture+". It is vital to notice that culture, esthetics and ethics are in fact missing in the development of our cultural and creative industries.展开更多
Chita has demonstrated to the world its infinite potential. At present the country is gearing up to present to world industry the latest string to beadded to its broad bow of success:creativity.
New materials are fundamental to the growth,security,and quality of life of human being sand open doors to technologies in civil,chemical,nuclear,aeronautical,mechanical,biomedical,and electrical engineering.Creative ...New materials are fundamental to the growth,security,and quality of life of human being sand open doors to technologies in civil,chemical,nuclear,aeronautical,mechanical,biomedical,and electrical engineering.Creative companies use multiple materials in the development of their activities,such as solid stone,fiber glass,concrete,and glass reinforced concrete,for example.Based on bibliographic research,the article examines the synergy between materials science&engineering and creative economy.The main argument indicates that this synergy creates solutions and functionalities that add value to existing products and allow the development of new products with competitive advantages.It may also contribute to the preservation of cultural values and promote sustainability.展开更多
The aim is to examine the multiple meanings of creativity in creative economy.The meanings which reinforce the individual aspect stress that personal characteristics may unlock the wealth that lies within people.The d...The aim is to examine the multiple meanings of creativity in creative economy.The meanings which reinforce the individual aspect stress that personal characteristics may unlock the wealth that lies within people.The definitions that reinforce the organizational and social aspects understand creativity as a process,which requires knowledge,networks,and technologies that interconnect novel ideas and contexts.The perspectives which reinforce the political aspect see that creativity took the status of a doctrine to secure collaboration between government and industry.However,these notions of creativity stress its instrumental utility and undermine fantasy,play,or uselessness.展开更多
Based on bibliographic research, the article examines how pharmaceuticals address people‟s sexual needs and desires,stimulated by creative economy. The main argument indicates that pharmaceuticals create conditions fo...Based on bibliographic research, the article examines how pharmaceuticals address people‟s sexual needs and desires,stimulated by creative economy. The main argument indicates that pharmaceuticals create conditions for do-it-yourself sexualities,based on bodily stereotypes disseminated by creative industries, which reflect dominant heteronormative discourses. People shapetheir bodies, enhance sexual experiences, and foster sexual hygiene and prevention of sexually transmitted infections.展开更多
The aim of the article is to examine the work in Brazilian creative industries in the new era of globalization.The main argument indicates that creative professionals are increasingly encouraged to assume entrepreneur...The aim of the article is to examine the work in Brazilian creative industries in the new era of globalization.The main argument indicates that creative professionals are increasingly encouraged to assume entrepreneurial skills.Although work in creative industries is typically characterized by expressive,intrinsically motivating,and autonomous content,socio-occupational conditions are typically unfavorable.The adverse work conditions of the Brazilian creative class,in the context of globalization,can be identified in precarious contracts,the lack of social guarantees,the management of fear and moral harassment,and the imposition of unattainable production goals on workers.展开更多
The aim of this paper is to establish the notion of the creative city,show its essential characteristics,and critically evaluate and analyse what elements impact creativity and innovation in cities using real case stu...The aim of this paper is to establish the notion of the creative city,show its essential characteristics,and critically evaluate and analyse what elements impact creativity and innovation in cities using real case studies and related literature.Finally,in the essay,the topic of whether or not China will have creative cities in the future is asked,and the feasibility of constructing creative cities in China is discussed,prompting a new way of thinking about China’s future creative city plan.展开更多
Highlighting the Time,Culture and Identity cross-disciplinary project conducted between the Science Museum in London,the Palace Museum in Beijing,academics at Beijing Jiaotong University and the Institute for the Hist...Highlighting the Time,Culture and Identity cross-disciplinary project conducted between the Science Museum in London,the Palace Museum in Beijing,academics at Beijing Jiaotong University and the Institute for the History of Natural Sciences,and creative industries practitioners in China and the UK,this introduction highlights the key impacts of the research.As well as creating the practical output of a digital museum experience focused on the workings of the Country Scene clock,the research brought a range of wider impacts,including a change in understanding between collaborators,capacity-building skills,research process development and a change in attitude.The papers of this supplementary issue reflect some of the range of impacts of the work of our collaborators.展开更多
Emerging along with the economic restructuring and the increase of cultural demands after the reforms and opening-up in the late1970s,the cultural and creative industries have gone through rapid development in China d...Emerging along with the economic restructuring and the increase of cultural demands after the reforms and opening-up in the late1970s,the cultural and creative industries have gone through rapid development in China driven by the reform on cultural system.Since the21stcentury,the development of cultural and creative industries has further become one of China’s national policies of industrial development,occupying a significant position in the national economy.Starting by clarifying various definitions on the conception of cultural and creative industry,this paper outlines the process of cultural and creative industry development in China since the reforms and opening-up,summarizes its development trends in the past decade and its contributions to the socio-economic development,and analyzes its potential influences on the urban renovation of certain kinds of areas,in particular the historic neighborhoods in regeneration,the industrial areas in redevelopment,and the peripheral urban villages in transformation.展开更多
基金General Program of National Natural Science Foundation of China (71874027).
文摘The creative industry is a knowledge-based industry,but it is difficult and complex to create knowledge for enterprises.The principle of cooperationsharing posits that companies’limited resources prohibit them from gaining a competitive advantage in all business areas.Therefore,cooperation-sharing can help businesses overcome this hurdle.Cooperation-sharing expedites economic development,breaks the barrier of independent knowledge creation,and enhances resource utilization.However,the effectiveness and stability of knowledge cooperation-sharing are key problems facing governments and other regulators.This study can help regulators promote honesty in enterprise cooperation-sharing.Based on the hypothesis of bounded rationality,the evolutionary game theory was used to construct the“Enterprises–Informal Institutions–Government”tripartite game matrix.Next,based on this game matrix,a simulation analysis method was used to analyze the effects of external incentives on the stability of evolutionary strategies.The analysis shows that the strategic choice of the“Enterprises–Informal Institutions–Government”tripartite game could be affected by the initial state strategy choices of the other two players,but more influential were the cost and external incentive levels of the game players.The results indicate that the government and informal institutions should regulate enterprises with a rational external incentive mechanism that boosts the enterprises’incentive to cooperate honestly.Thus,an effective external incentive mechanism can significantly improve the probability of enterprises behaving honestly in cooperation-sharing and promote the development of the creative industry.
基金National Natural Science Foundation of China(No.71373227)Shanghai Design Science Category IV Peak Discipline Funding Project,China(No.DD18002)+1 种基金General Projects of Shanghai Philosophy and Social Science Planning in 2020,China(No.2020BWY028)Shanghai Style Transboundary Art Research Base of Donghua University,China。
文摘The duality of cultural and creative industry can maintain the independence of creative birth and management as well as taking into account of the artistic and marketability of creativity.Income distribution contracts that link the design process to the commercial value of creative ideas can solve the problem of quantitative incentives for creative subjects.At the same time,it can encourage creative subjects to complete commercial and artistic design activities.The principal-agent relationship between the upstream and downstream of the industrial chain is utilized to stimulate the creation of creative ideas in line with market conditions,so as to solve the problem of duality reconciliation of cultural and creative industries.Through the design of the cultural creative industry chain dual task creative incentive contract,in the process of encouraging creative design subjects to complete the design of the work to give consideration to the coordination of duality.By analyzing the influences of design capability,risk,cost coefficient and binary correlation on the optimal investment level and the optimal risk sharing level of creative subjects in two types of design activities,the input transfer caused by the variation of the above conditions is further discussed.
文摘With the rapid development of China’s cultural and creative industries,the influence of cultural and creative ideas in fashion design is increasing,and art talents with innovative ability have become hot objects in the society.As the cradle of fashion design talents training and output,colleges and universities in our country shoulder the important task of training fashion design talents in the new period.In the current clothing design curriculum reform,school enterprise cooperation and collaborative innovation have become an important development direction.Under this background,this paper analyzes the teaching reform path of women’s clothing design course in Colleges and universities.
文摘Cultural diversity originates from modern cultural industries. The UN's decade–long promotion of cultural diversity coincides with the advancement of China's cultural and creative industries; however, China's situation is different from the creative economy advocated by the UN in terms of developmental logic. The policy of cultural diversity provides a basis for the UN to push forward the development of cultural and creative industries in developing countries. It is derived from the developmental theories of developed countries, which regard creativity(innovation) as a "technique" and overlook its uniqueness. The digital revolution has never given fair play to developing countries which explains why the UN's promotion of cultural diversity has not yet helped developing countries to substantially increase their exports of cultural goods and services in the past ten years. Nevertheless, the development of the in ternet and digital technology may create an opportunity for developing countries to catch up with and surpass their developed neighbors. China's unique approach to cultural and creative development may serve as a model for the international community to pursue sustainable development in the future.
文摘As one of the important aspects of cultural life,brand has obvious cultural attributes.As an important branch of the cultural and creative industry,brand design is not only the concrete expression of human wisdom,but also a product in the process of continuous cultural development,which can positively interpret human’s innovative spirit and innovative concept.Therefore,a systematic study on the effective use of western culture in brand design and a detailed analysis on the impact as well as enlightenment of the use of western culture in brand design on the cultural and creative industry are carried out,so as to lay a solid foundation for the improvement of the cultural innovation level in the field of brand design and the all-round development of cultural and creative industry in China.
基金The Key Research Base of Humanities and Social Sciences in Sichuan Province-Project Funded by China Salt Culture Research Center of Sichuan University of Science&Engineering,(No.:YWHY18-06)。
文摘Salt culture is the main component of traditional culture in Zigong,Sichuan.With centuries of history,it has accumulated rich cultural connotations.At present,Zigong salt culture,as a precious traditional cultural wealth,has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology,giving full play to the resource advantages of its traditional culture.This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era.Combining digital new media technology with cultural and creative industries,Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries,promote the cultivation of cultural and creative brands based on digital new media technology.This article aims to give relevant strategies with reference value,so as to make corresponding contributions to the development path of Zigong salt culture in the future.
文摘While industrial manufacturing is giving way to the creative economy in the 21^(st) century,Shanghai-similar to many major cities around the world-is keen to bolster a stronger economy and increase its competitiveness by encouraging the development of cultural and creative industries.Over the past decade,the Shanghai municipal government has made a concerted effort to exploit the heritage assets of the city’s industrial past to reform its economic structure.There has been a deliberate attempt to establish a stronger correlation between industrial heritage conservation and creative industry cluster development.The aim of this research is to investigate the process of converting former industrial sites into loci of creativity.In doing so,we can determine the main actors,how different stakeholder groups came into play and the evolution of the subtle interplay between the designation of heritage architecture and that of creative industry cluster.Drawing on qualitative research methods,this paper presents a detailed analysis of three case studies in Shanghai:M50 Creative Park,1933 Shanghai and the Cool Docks.The results reveal the changing positions of three major stakeholder groups.Whereas the private sector and the general public have developed increasing interests in the embedded economic and cultural values of the former industrial structures,local government has consciously reduced its presence and influence in valorising industrial heritage.Thus,the growing public awareness of cultural heritage protection and the increasing interest in the economic contribution of cultural and creative industries are intrinsic to Shanghai’s reindustrialisation in the 21^(st) century.
文摘Creative Cities in Practice:European and Asian Perspectives Authors:Yan TANG,Klaus R.Kunzmann Year:2013Publisher:Tsinghua University Press ISBN:9787302325192(281 pages,in Chinese)The book,titled Creative Cities in Practice:European and Asian Perspectives,by Dr.Yan TANG and Prof.Klaus R.Kunzmann,is an outstanding piece of work introducing creative industry and creative cities in a fairly comprehensive and
文摘The aim is to examine how the creative sectors and professionals contribute to the manufacturing industry and agribusiness in the new era of globalization.Creative sectors can develop innovations and experiences as part of their own activities,as well as procedures,technologies,and routines in business models,which increase the efficiency or the quality of the results.Creative professionals can support innovation and the generation of experiences.
文摘Accompanied with the industry value chain extension,the creative originality research and promotion are becoming the major voice of textile industry.Currently,"2010 China International Fabric Design Contest & China Textile City Recommendation Meeting" convened in Beijing ceremoniously.Vice-chairman of China Textile & Apparel Council,Wang Tiankai and head of Shaoxing city government participated in the conference and gave speech on the industry market circumstance.
文摘The aim is to analyse the situation of Brazilian creative workers in the gig economy during the COVID-19 pandemic.The main argument indicates that,despite the opportunities for entrepreneurship brought by gig economy during the COVID-19 pandemic,Brazilian creative workers may be open to exploitation and lower wages and show lower levels of satisfaction compared to the creative activities they used to have before the pandemic.The workers became even more exposed to the lack of long-standing protections-such as a minimum wage,safety and health regulation,retirement income,health insurance,and worker compensation-and risks that were previously shouldered by employers and the state,including responsibility for bodily injury,damage to tools and assets,coverage between paid gigs,financial malfeasance by customers,and harassment.
文摘A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural industries into cultural and creative industries, the priority is economic restructuring, and specifically upgrading low-end manufacturing through creation. From the Internet way of thinking to "Internet+," from theories to practice, high technologies represented by the Internet have deeply integrated with culture, thereby opening a new dimension of innovation and creation to enhance the dynamics of creative industries and a creative economy. The fast-growing maker movement is an excellent strategy for China to develop into a great country of originality. Core contents of this movement include facilitating national originality, achieving leaping development of originality of our cultural and creative industries, promoting Internet celebrity economy, VR, AR, and other new experiments and new forms. What should correspond to "Internet+" and "Maker space" is "Culture+". It is vital to notice that culture, esthetics and ethics are in fact missing in the development of our cultural and creative industries.
文摘Chita has demonstrated to the world its infinite potential. At present the country is gearing up to present to world industry the latest string to beadded to its broad bow of success:creativity.
文摘New materials are fundamental to the growth,security,and quality of life of human being sand open doors to technologies in civil,chemical,nuclear,aeronautical,mechanical,biomedical,and electrical engineering.Creative companies use multiple materials in the development of their activities,such as solid stone,fiber glass,concrete,and glass reinforced concrete,for example.Based on bibliographic research,the article examines the synergy between materials science&engineering and creative economy.The main argument indicates that this synergy creates solutions and functionalities that add value to existing products and allow the development of new products with competitive advantages.It may also contribute to the preservation of cultural values and promote sustainability.
文摘The aim is to examine the multiple meanings of creativity in creative economy.The meanings which reinforce the individual aspect stress that personal characteristics may unlock the wealth that lies within people.The definitions that reinforce the organizational and social aspects understand creativity as a process,which requires knowledge,networks,and technologies that interconnect novel ideas and contexts.The perspectives which reinforce the political aspect see that creativity took the status of a doctrine to secure collaboration between government and industry.However,these notions of creativity stress its instrumental utility and undermine fantasy,play,or uselessness.
文摘Based on bibliographic research, the article examines how pharmaceuticals address people‟s sexual needs and desires,stimulated by creative economy. The main argument indicates that pharmaceuticals create conditions for do-it-yourself sexualities,based on bodily stereotypes disseminated by creative industries, which reflect dominant heteronormative discourses. People shapetheir bodies, enhance sexual experiences, and foster sexual hygiene and prevention of sexually transmitted infections.
文摘The aim of the article is to examine the work in Brazilian creative industries in the new era of globalization.The main argument indicates that creative professionals are increasingly encouraged to assume entrepreneurial skills.Although work in creative industries is typically characterized by expressive,intrinsically motivating,and autonomous content,socio-occupational conditions are typically unfavorable.The adverse work conditions of the Brazilian creative class,in the context of globalization,can be identified in precarious contracts,the lack of social guarantees,the management of fear and moral harassment,and the imposition of unattainable production goals on workers.
文摘The aim of this paper is to establish the notion of the creative city,show its essential characteristics,and critically evaluate and analyse what elements impact creativity and innovation in cities using real case studies and related literature.Finally,in the essay,the topic of whether or not China will have creative cities in the future is asked,and the feasibility of constructing creative cities in China is discussed,prompting a new way of thinking about China’s future creative city plan.
基金the UK Arts and Humanities Research Councilthe Newton Fund
文摘Highlighting the Time,Culture and Identity cross-disciplinary project conducted between the Science Museum in London,the Palace Museum in Beijing,academics at Beijing Jiaotong University and the Institute for the History of Natural Sciences,and creative industries practitioners in China and the UK,this introduction highlights the key impacts of the research.As well as creating the practical output of a digital museum experience focused on the workings of the Country Scene clock,the research brought a range of wider impacts,including a change in understanding between collaborators,capacity-building skills,research process development and a change in attitude.The papers of this supplementary issue reflect some of the range of impacts of the work of our collaborators.
文摘Emerging along with the economic restructuring and the increase of cultural demands after the reforms and opening-up in the late1970s,the cultural and creative industries have gone through rapid development in China driven by the reform on cultural system.Since the21stcentury,the development of cultural and creative industries has further become one of China’s national policies of industrial development,occupying a significant position in the national economy.Starting by clarifying various definitions on the conception of cultural and creative industry,this paper outlines the process of cultural and creative industry development in China since the reforms and opening-up,summarizes its development trends in the past decade and its contributions to the socio-economic development,and analyzes its potential influences on the urban renovation of certain kinds of areas,in particular the historic neighborhoods in regeneration,the industrial areas in redevelopment,and the peripheral urban villages in transformation.
