With the rapid development of modern society,the protection and inheritance of traditional culture are becoming increasingly important.As a part of Chinese traditional culture,Tongyu New Year’s Paintings,with their u...With the rapid development of modern society,the protection and inheritance of traditional culture are becoming increasingly important.As a part of Chinese traditional culture,Tongyu New Year’s Paintings,with their unique artistic style and rich cultural connotation,have become an excellent resource for exploring the beauty of tradition and inspiring creativity.Based on this,LH Kindergarten in Baicheng City,Jilin Province,has utilized Tongyu New Year’s Paintings as a curriculum resource to develop a school-based curriculum,“The Beauty of Tongyu New Year’s Paintings:Artistic Exploration for Teachers and Children.”Through diversified learning styles,teachers and children will learn about the history of New Year’s paintings,incorporate certain features of the paintings into their art activities,and cultivate creativity and the spirit of teamwork,so as to pass on the precious essence of traditional culture to children and carry forward the spirit of teamwork in their hearts.This program will lead children to experience the treasures of traditional culture and the rich connotations behind Chinese New Year’s paintings,laying a solid foundation for their growth and lifelong learning.展开更多
The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan...The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products.展开更多
THE Nanjing Children’s Painting and Calligraphy Association,founded in 1982,is an organization engaged in the training, composition.exhibition and exchange of children’s painting and calligraphy.The association boas...THE Nanjing Children’s Painting and Calligraphy Association,founded in 1982,is an organization engaged in the training, composition.exhibition and exchange of children’s painting and calligraphy.The association boasts a group of prestigious painters and calligraphers at home and abroad as its consultants,its membership exceeding 400.The Nanjing Children’s Painting and Calligraphy Association has had a collection of over 6,000 art works attend exhibitions held in more than 30 countries and regions worldwide.展开更多
This paper seeks to examine the image and text relationship in TANG Yin's scroll of poetry and painting from three aspects: The first aspect focuses upon the schema type of its image and text relationship in physica...This paper seeks to examine the image and text relationship in TANG Yin's scroll of poetry and painting from three aspects: The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text's/poetry's functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world展开更多
Having received a thorough college education.Ngawang Jigme naturally expresses his academic knowledge and skills through his washing paintings.Though he grew up on the plateau cating Tsampa and yak flesh,drinking yak ...Having received a thorough college education.Ngawang Jigme naturally expresses his academic knowledge and skills through his washing paintings.Though he grew up on the plateau cating Tsampa and yak flesh,drinking yak buttered tea,living in the clear atmosphere,sunny sky and mountain scenery,he would hardly be expected to tolerate the monotone world of wash painting,which adopts black and white as its principal theme and acknow ledges"blur impression"as the ultimate aim.He strives for total absorption int...展开更多
A modern fermale artist,Lei Shuang borrows her useof color and composition from modernist painters thenturns them into something of her own-a simple yetsensitive style.Her flowers. paying homage to the "onceof pa...A modern fermale artist,Lei Shuang borrows her useof color and composition from modernist painters thenturns them into something of her own-a simple yetsensitive style.Her flowers. paying homage to the "onceof past life.are an artistic marvel.展开更多
Shang yang is a highly representative painter in the contemporary Chinese oil painting circle. In the past few decades, his painting style has changed several times; he abandoned his successful original style and fami...Shang yang is a highly representative painter in the contemporary Chinese oil painting circle. In the past few decades, his painting style has changed several times; he abandoned his successful original style and familiar subjects when he turned from realism to abstraction. In the two pieces shown here, the people of the Loess Plateau are depicted as existing as an integral whole with nature, mutually inside and outside of it. Beholden to some techniques from traditional Chinese painting展开更多
Qi Zilai inherited the painting skills of her grandfather Qi Baishi, a giant of contemporary Chinese painting. She is the only woman of the third generation of Qi family painters, Qi Zilai has been deeply influenced by
Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human ...Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human beings. She expresses her feelings towards nature and society through her dimly visible and disorderly pictures. The harmony of abstract展开更多
Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bo...Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bold." Inspired from within, this woman painter’s work is a natural revelation; her paint gives artistic life to the mountains, rivers, grasses and trees of her motherland.展开更多
基金This paper is a stage result of the research of“Tongyu New Year’s Paintings Inheritance and Development Based on the Cultivation of Art Literacy of Early Childhood Teachers”(Project number:GH23649),which is a 2023 project of the 14th Five-Year Plan of Educational Science in Jilin Province.
文摘With the rapid development of modern society,the protection and inheritance of traditional culture are becoming increasingly important.As a part of Chinese traditional culture,Tongyu New Year’s Paintings,with their unique artistic style and rich cultural connotation,have become an excellent resource for exploring the beauty of tradition and inspiring creativity.Based on this,LH Kindergarten in Baicheng City,Jilin Province,has utilized Tongyu New Year’s Paintings as a curriculum resource to develop a school-based curriculum,“The Beauty of Tongyu New Year’s Paintings:Artistic Exploration for Teachers and Children.”Through diversified learning styles,teachers and children will learn about the history of New Year’s paintings,incorporate certain features of the paintings into their art activities,and cultivate creativity and the spirit of teamwork,so as to pass on the precious essence of traditional culture to children and carry forward the spirit of teamwork in their hearts.This program will lead children to experience the treasures of traditional culture and the rich connotations behind Chinese New Year’s paintings,laying a solid foundation for their growth and lifelong learning.
文摘The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products.
文摘THE Nanjing Children’s Painting and Calligraphy Association,founded in 1982,is an organization engaged in the training, composition.exhibition and exchange of children’s painting and calligraphy.The association boasts a group of prestigious painters and calligraphers at home and abroad as its consultants,its membership exceeding 400.The Nanjing Children’s Painting and Calligraphy Association has had a collection of over 6,000 art works attend exhibitions held in more than 30 countries and regions worldwide.
文摘This paper seeks to examine the image and text relationship in TANG Yin's scroll of poetry and painting from three aspects: The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text's/poetry's functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world
文摘Having received a thorough college education.Ngawang Jigme naturally expresses his academic knowledge and skills through his washing paintings.Though he grew up on the plateau cating Tsampa and yak flesh,drinking yak buttered tea,living in the clear atmosphere,sunny sky and mountain scenery,he would hardly be expected to tolerate the monotone world of wash painting,which adopts black and white as its principal theme and acknow ledges"blur impression"as the ultimate aim.He strives for total absorption int...
文摘A modern fermale artist,Lei Shuang borrows her useof color and composition from modernist painters thenturns them into something of her own-a simple yetsensitive style.Her flowers. paying homage to the "onceof past life.are an artistic marvel.
文摘Shang yang is a highly representative painter in the contemporary Chinese oil painting circle. In the past few decades, his painting style has changed several times; he abandoned his successful original style and familiar subjects when he turned from realism to abstraction. In the two pieces shown here, the people of the Loess Plateau are depicted as existing as an integral whole with nature, mutually inside and outside of it. Beholden to some techniques from traditional Chinese painting
文摘Qi Zilai inherited the painting skills of her grandfather Qi Baishi, a giant of contemporary Chinese painting. She is the only woman of the third generation of Qi family painters, Qi Zilai has been deeply influenced by
文摘Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human beings. She expresses her feelings towards nature and society through her dimly visible and disorderly pictures. The harmony of abstract
文摘Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bold." Inspired from within, this woman painter’s work is a natural revelation; her paint gives artistic life to the mountains, rivers, grasses and trees of her motherland.