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Contribution and Modern Public Debt:On the Nature of Patriotic Public Debt in the Late Qing Dynasty and the Early Republic of China
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作者 Chuanrong Huang 《Sociology Study》 2023年第6期309-314,共6页
There are different opinions about the first modern domestic debt in China.The theorists judge whether a certain public debt has modernity according to whether it has modern public debt form,ignoring the inconsistency... There are different opinions about the first modern domestic debt in China.The theorists judge whether a certain public debt has modernity according to whether it has modern public debt form,ignoring the inconsistency between form and content,institutional provisions and actual implementation.The modern nature of public debt must have both the form and content of modern public debt.Based on the analysis of the issuing background,system design,collection and repayment of patriotic bonds in the late Qing Dynasty and the early Republic of China,it is considered that the part of patriotic bonds subscribed by the Qing royal family is still the nature of donation and return,while the part subscribed by ordinary businessmen and people in the early Republic of China has a modern nature.The dual nature of patriotic bonds is closely related to the social background when the bonds are issued. 展开更多
关键词 donation and return modern nature patriotic bonds late qing dynasty and early Republic of China
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Spatial Characteristics of Royal Gardens in the Early Qing Dynasty: A Case Study of Emperor Yongzheng Enjoying the Happiness of a Family Union in Twelve Lunar Months
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作者 YUAN Lin XUE Binglin 《Journal of Landscape Research》 2018年第6期113-117,122,共6页
Taking the painting Emperor Yongzheng Enjoying the Happiness of a Family Union in Twelve Lunar Months for example, this study explored the spatial characteristics of the architecture and garden reflected by the scroll... Taking the painting Emperor Yongzheng Enjoying the Happiness of a Family Union in Twelve Lunar Months for example, this study explored the spatial characteristics of the architecture and garden reflected by the scroll against the background of the Western learning spreading eastward in the late Ming and early Qing dynasties. Combining with the conjectures put forward by previous scholars on the possible places of the Emperor Yongzheng Enjoying the Happiness of a Family Union in Twelve Lunar Months, with reference to the relevant historical materials, the interior space of the painting was analyzed by restoring the imaginary map and drawing the graph to complete the restoration design of space of the scroll painting. It is hoped that this study can enrich the research on the royal garden in the early Qing Dynasty. 展开更多
关键词 ROYAL garden Restoration design early qing dynasty
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Functional Features and Layouts of Yangzhou Residential Gardens in the Late Qing Dynasty and the Early Republic of China: A Case Study of Residential Gardens of Officials, Merchants and Literati
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作者 ZHANG Lihui ZHANG Yue 《Journal of Landscape Research》 2015年第4期39-43,共5页
On the basis of analyzing socio-economic structures, social classes and their relations in the late Qing Dynasty and the early Republic of China, this paper took residential gardens of three principal groups(officials... On the basis of analyzing socio-economic structures, social classes and their relations in the late Qing Dynasty and the early Republic of China, this paper took residential gardens of three principal groups(officials, merchants and literati) for example, analyzed functional features and layouts of the gardens, explored artistic characteristics and cultural connotations of the local residential gardens, so as to provide references for the conservation and construction of historic and cultural cities, design and expression of modern urban livable spaces. 展开更多
关键词 Late qing dynasty and early Republic of China Residential gardens in Yangzhou Functional features LAYOUTS
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CHINESE LADY'S DAILY WEAR IN LATE QING DYNASTY AND EARLY REPUBLIC PERIOD
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作者 包铭新 《Journal of China Textile University(English Edition)》 EI CAS 1991年第3期9-21,共13页
The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some f... The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic. 展开更多
关键词 Chinese women’s garments DAILY wear Late qing dynasty early REPUBLIC PERIOD
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Social Classes and Cultural Connotations of Yangzhou Home Gardens during the Late Qing Dynasty and the Republic of China
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作者 ZHANG Lihui 《Journal of Landscape Research》 2016年第6期102-106,共5页
During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and func... During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China. 展开更多
关键词 Social classes the late qing dynasty and the early period of the Republic of China Yangzhou home gardens Type characteristics Cultural connotation
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Research and Discussion on the Stereotyped Writing Criticism Genre during Late Ming and Early Qing Dynasties
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作者 Xiaolian Li 《International Journal of Technology Management》 2016年第5期10-12,共3页
In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve clas... In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolution of the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy is so far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre that presents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores the literature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paper proposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more. 展开更多
关键词 Stereotyped WRITinG CRITICISM GENRE LATE Ming and early qing Dynasties
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Research and Discussion on the Stereotyped Writing Criticism Genre during Late Ming and Early Qing Dynasties
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作者 Xiaolian Li 《International Journal of Technology Management》 2016年第8期1-3,共3页
In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve class... In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolutionof the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy isso far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre thatpresents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores theliterature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paperproposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more. 展开更多
关键词 Stereotyped Writing Criticism Genre Late Ming and early qing Dynasties.
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The Rise and Fall of Overseas Chinese Problem in the Early Republic of China
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作者 Huang Haijuan 《学术界》 CSSCI 北大核心 2016年第3期287-292,共6页
In the late Qing Dynasty and the early R epublic of China,foreign invasion made China suffer from an unprecedented humiliation,and the W estern powers initiated a commercial intrusion by forcing China to sign unequal ... In the late Qing Dynasty and the early R epublic of China,foreign invasion made China suffer from an unprecedented humiliation,and the W estern powers initiated a commercial intrusion by forcing China to sign unequal treaties and open treaty ports. From this perspective,a deep exploration is made to study the corresponding influence and its function. The rule shows that the developing route of national politics,economy and culture can determine the trend of the development of overseas Chinese problem; in addition,it objectively reflects that the social nature is vital to overseas Chinese problem. 展开更多
关键词 海外华人 民国 早期 中华 发展趋势 中国 商业性 社会性
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清代蜀道文献的特点及其历史文化价值 被引量:1
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作者 马强 《西华师范大学学报(哲学社会科学版)》 2024年第1期105-113,共9页
清代蜀道文献主要由行旅文献、诗歌文献及碑刻文献构成。蜀道行旅文献之多超过前代总合,多糅合日记、诗歌于一体,其中不乏有重要史料的佳作,是清代行旅文学的重要组成部分;蜀道诗歌文献浩繁庞杂,多见于清人别集稿本,作者群体庞大,其中... 清代蜀道文献主要由行旅文献、诗歌文献及碑刻文献构成。蜀道行旅文献之多超过前代总合,多糅合日记、诗歌于一体,其中不乏有重要史料的佳作,是清代行旅文学的重要组成部分;蜀道诗歌文献浩繁庞杂,多见于清人别集稿本,作者群体庞大,其中既有名家巨擘,更多为非知名士人,具有写真纪实的风格特点,感叹自然奇险、忧患战乱与民生是其重要主题;碑刻文献主要是清代学者对蜀道沿线汉魏两宋碑石书法的史事考证、碑刻释文及转录。清代蜀道文献在反映蜀道交通历史变迁、蜀道地带生态环境及其社会风貌方面有重要的史料价值,同时也与清代川陕诸多重大历史事件息息相关。大量的清代蜀道诗不仅承载了清代士大夫艰难的人生行迹,也是山地生命体验的典型写照。 展开更多
关键词 清代 行旅文献 蜀道诗歌 蜀道碑石 文化价值
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以文为诗,以诗为词,以古为律:清代诗话的破体观念论析
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作者 任竞泽 李增 《厦门大学学报(哲学社会科学版)》 CSSCI 北大核心 2024年第1期158-172,共15页
清代诗话是清代文体史料及文体批评的渊薮,其中破体观念在清诗话文体理论中又最为突出和独具特色。目前学界整理的煌煌16册174种清诗话中论及以文为诗、以诗为词、以古为律及其对立范畴以诗为文、以词为诗、以律为古等破体批评的诗话就... 清代诗话是清代文体史料及文体批评的渊薮,其中破体观念在清诗话文体理论中又最为突出和独具特色。目前学界整理的煌煌16册174种清诗话中论及以文为诗、以诗为词、以古为律及其对立范畴以诗为文、以词为诗、以律为古等破体批评的诗话就多达63部,贯穿整个清代诗话史和诗学史。清代诗学史上具有重要学术地位的学者诸如王夫之、叶燮、王士祯、沈德潜、赵翼、翁方纲、潘德舆等,在对相关破体范畴进行文体批评时,往往褒贬倾向不一,或肯定,或否定,或辩证看待,引发了旷日持久的学术争鸣,并在演进递嬗中形成了系统的破体观念体系,堪称中国古代破体理论的集大成和总结者。这对于纵向观照和比较研究宋元明诗话破体观念具有重要的文体批评史学术价值和理论意义。 展开更多
关键词 清代诗话 以文为诗 以诗为词 以古为律 破体观念
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近代诗歌对叙事传统的归化与创通
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作者 杨绪容 《苏州大学学报(哲学社会科学版)》 CSSCI 北大核心 2024年第3期151-162,共12页
陈衍、袁昶、钱仲联等开启了从叙事角度概述近代诗史的尝试,有待于在该领域的进一步展开。近代新旧诗坛在现代性思想的积淀、现代性人格的熔铸、现代艺术技巧的发育等方面具有很多共通性,展示出新旧中西文学传统发展的内在合力。而这些... 陈衍、袁昶、钱仲联等开启了从叙事角度概述近代诗史的尝试,有待于在该领域的进一步展开。近代新旧诗坛在现代性思想的积淀、现代性人格的熔铸、现代艺术技巧的发育等方面具有很多共通性,展示出新旧中西文学传统发展的内在合力。而这些特质用来概括近代诗歌的叙事传统和抒情传统都同样贴切。故在“中国诗歌叙事传统”这一大框架下对“近代诗歌叙事”的核心议题做出进一步的思考和总结,其落脚点则在于叙事伦理、叙事主体和叙事艺术诸方面。这在一定程度上也有重新认识和评价中国诗歌传统的意义。 展开更多
关键词 中国诗歌叙事传统 近代诗歌叙事 归化 创通
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清末民初江苏地区家谱特点探析
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作者 任欣欣 王丽华 《长春师范大学学报》 2024年第7期70-73,共4页
清末民初,在动荡的社会环境下,家谱修撰成为部分家族承继血缘关系和家族文化的重要方式。江苏地区是修纂家谱最为密集的地区之一,对家谱的诸多方面进行了有益的补充。扬州吴氏、宜兴吕氏和无锡锡山秦氏三个家族的家谱具有完备的体例,重... 清末民初,在动荡的社会环境下,家谱修撰成为部分家族承继血缘关系和家族文化的重要方式。江苏地区是修纂家谱最为密集的地区之一,对家谱的诸多方面进行了有益的补充。扬州吴氏、宜兴吕氏和无锡锡山秦氏三个家族的家谱具有完备的体例,重视家规族约的制定,并充实了对家族女子成员的记载内容。这些特点与当时的政治环境、经济基础和区域文化紧密相关,是传统文化和近代思想相结合的产物。 展开更多
关键词 清末民初 江苏地区 家谱
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清初“三月十九日”诗的艺术特质
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作者 张毓洲 《西北师大学报(社会科学版)》 CSSCI 北大核心 2024年第6期81-90,共10页
在清初遗民诗界,以“三月十九日”这个敏感的明亡忌日为题的诗歌创作逐渐形成了惯例,这是明清之际诗歌史上一个重要的文学现象。这些作品是遗民们不同年度的同题之作,体式上以律诗、组诗见长,呈现出幽怨沉郁的格调。同时,这些诗作内容丰... 在清初遗民诗界,以“三月十九日”这个敏感的明亡忌日为题的诗歌创作逐渐形成了惯例,这是明清之际诗歌史上一个重要的文学现象。这些作品是遗民们不同年度的同题之作,体式上以律诗、组诗见长,呈现出幽怨沉郁的格调。同时,这些诗作内容丰富,表达了易代后诗人复杂痛苦的矛盾心情和内心感受,既深化、开拓了同题类诗歌的题材内容,又在创作上表现出多方面的特质,丰富了传统诗歌创作的艺术手法。 展开更多
关键词 清初 遗民 “三月十九日”诗 艺术特质
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《宋诗钞》与清初宋诗宗尚
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作者 蒋金芳 《齐齐哈尔大学学报(哲学社会科学版)》 2024年第4期105-108,共4页
作为清人编订的第一部大型宋诗总集,《宋诗钞》的面世契合了京师之诗学趣尚,并有力地推动了清初宋诗风的兴起,在浙派的发展历程以及清初诗坛具有非常重要的意义。探究《宋诗钞》与清初宋诗宗尚的关系,有助于理解彼时诗风演进的一些动态... 作为清人编订的第一部大型宋诗总集,《宋诗钞》的面世契合了京师之诗学趣尚,并有力地推动了清初宋诗风的兴起,在浙派的发展历程以及清初诗坛具有非常重要的意义。探究《宋诗钞》与清初宋诗宗尚的关系,有助于理解彼时诗风演进的一些动态特征。 展开更多
关键词 《宋诗钞》 清初 宋诗 吴之振
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论清初诗人吴之振的诗学观
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作者 蒋金芳 《牡丹江师范学院学报(社会科学版)》 2024年第2期24-29,共6页
吴之振作为清初宋诗派的一员主将,其诗学宗尚建立在反思明代诗学的基础上,表现出通达的“宗宋不黜唐”的诗学观,具体的阐释倾向主要包括两个方面:“真”侧重抒写性灵,穷达一耳;“变”强调贵在自得。
关键词 吴之振 清初 宋诗
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僧诗总集与晚明清初的丛林习诗热潮——以稀见文献《珠林风雅》为典型
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作者 李瑄 《四川大学学报(哲学社会科学版)》 CSSCI 北大核心 2024年第5期107-115,213,214,共11页
《珠林风雅》是晚明清初僧诗风气高涨的产物,也是古典诗歌总集编印高潮时期的典型样本。它生动地反映了诗歌从个别精英僧人的专利,到清初发展为一般文化僧都能够参与的文学活动。这是明清之际诗学家徐增编选的僧诗总集,以寺院为中心,选... 《珠林风雅》是晚明清初僧诗风气高涨的产物,也是古典诗歌总集编印高潮时期的典型样本。它生动地反映了诗歌从个别精英僧人的专利,到清初发展为一般文化僧都能够参与的文学活动。这是明清之际诗学家徐增编选的僧诗总集,以寺院为中心,选录了灵隐寺住持晦山戒显及僧众十余人的诗作一百余首。戒显入选最多,其中的《题武昌黄鹤楼》不仅当时“天下传颂”,而且逐渐流传为两种版本。版本差异显现了清代政治规训力量的强悍,也显现了僧诗在诗坛的影响。其他僧人也大半编有自己的诗集,但对入选仍极为热心,他们不仅期待借助传播性更强的诗歌总集传世不朽,也希望跻身为寺院文化的塑造者。晚明清初僧诗文献大量存世,无论种类还是数量都已远远超过前代,却很少受到学界关注。这一存世文献与研究成果极不对应的现象,提醒研究者重新审视佛教文学史的认识框架。 展开更多
关键词 晚明清初 僧诗总集 《珠林风雅》 徐增 晦山戒显
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近代变局与庆宽的仕宦人生
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作者 李文杰 《华东师范大学学报(哲学社会科学版)》 CSSCI 北大核心 2024年第2期85-99,180,共16页
庆宽是晚清民初的“奇人”,以民籍混入内务府旗籍,借助绘画的特长和办皇差的机会,在晚清拥堵的官场上,逐级升迁至候选内务府三院卿,积累了大量财富,也引发了官场侧目,遭到光绪帝下旨抄家的惩罚。戊戌之后,庆宽利用往日的关系网成为访日... 庆宽是晚清民初的“奇人”,以民籍混入内务府旗籍,借助绘画的特长和办皇差的机会,在晚清拥堵的官场上,逐级升迁至候选内务府三院卿,积累了大量财富,也引发了官场侧目,遭到光绪帝下旨抄家的惩罚。戊戌之后,庆宽利用往日的关系网成为访日特使,又因为辛丑议约的劳绩,获得保举,恢复了原有旗籍和职衔。晚清最后十年,庆宽在仕途上做最后一搏,但最终止步于四品道台,遂决心离开官场。在民初的十年,庆宽以平民视角观察政局,时而以旗人身份筹划旗人生计,时而作为普通市民关注城市自治,逐渐淡出了时代舞台。 展开更多
关键词 庆宽 内务府旗人 抄家 清末民初的社会
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清初文人雅集与文学书写——以春雨草堂为中心
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作者 杨泽琴 《内蒙古社会科学》 CSSCI 北大核心 2024年第5期179-186,共8页
清初的文人雅集活动是值得关注的文化现象。经历了改朝换代的鼎革巨变,基于易代本身的残酷、易代史事之于汉人的严重性及其历史记忆的创伤感,置身泛地化、泛政治化的混层型社会文化群落,清初文人在公开场域的雅集唱和呈现出创作思维的... 清初的文人雅集活动是值得关注的文化现象。经历了改朝换代的鼎革巨变,基于易代本身的残酷、易代史事之于汉人的严重性及其历史记忆的创伤感,置身泛地化、泛政治化的混层型社会文化群落,清初文人在公开场域的雅集唱和呈现出创作思维的趋同性和文学书写的类型化特点。寄情林泉的隐逸诗、以文会友的酬赠诗、诗酒风流的任诞诗、发幽阐微的心志诗都濡染了时代风习,是特殊历史语境下进退失据的汉族文人游寓、聚合、交际、抒怀的典型写影。清初文人雅集的泛地化流动形成了文人群落—群丛—文化圈的网络化延展,具有延续性、开放性和经典化意义。泰州宫伟鏐之春雨草堂成为彼时江南一隅的文渊诗薮、文人重要的“精神桃源”,南北文士躬亲与会,其诗文化活动成为清初江淮流域引人瞩目的文化现象,对认识、审视清初文人雅集与文学书写具有代表性意义。 展开更多
关键词 清初 文人雅集 文学书写 春雨草堂
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明遗民集序书写的纪传与想象
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作者 赵宏祥 《中南大学学报(社会科学版)》 CSSCI 北大核心 2024年第3期191-200,共10页
别集序在文体初创时期,就已经确立了传记写作的传统。明末清初的遗民通过诗文来回应国家和自我身份认同等问题。这种回应体现在别集序的书写中,使其中的纪传部分更加注重真实性的表达。然而,由于别集序的主观创作空间较大,真实与想象的... 别集序在文体初创时期,就已经确立了传记写作的传统。明末清初的遗民通过诗文来回应国家和自我身份认同等问题。这种回应体现在别集序的书写中,使其中的纪传部分更加注重真实性的表达。然而,由于别集序的主观创作空间较大,真实与想象的成分在遗民的别集序中交织在一起,这无疑影响了通过“知人论世”的传统批评方法所得批评主张的有效性。此外,集序作者往往通过个人经历的想象和性情的投射来塑造遗民的形象。这种塑造可能源于作者真实情感的流露,也可能出于对经典文本的模仿。因此,遗民集序中的人物形象可能与他们的历史行为存在差异,这进一步影响了集序所传达的文学批评要素的接受和传播。 展开更多
关键词 明末清初 集序 遗民形象 纪传 想象
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明清贺兰山主题诗词的书写维度及价值探论
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作者 马志英 《北方民族大学学报(哲学社会科学版)》 CSSCI 北大核心 2024年第2期120-126,共7页
明清时期是贺兰山主题诗词发展的重要阶段,在政治环境、文教事业等地缘因素的共同构建下,诗词作品中的贺兰山突破以往单一的政治地缘形象而呈现出丰富多元的书写维度。一是地理空间维度,以山峦景致咏江山之胜,以贺兰晴雪为代表的景致呈... 明清时期是贺兰山主题诗词发展的重要阶段,在政治环境、文教事业等地缘因素的共同构建下,诗词作品中的贺兰山突破以往单一的政治地缘形象而呈现出丰富多元的书写维度。一是地理空间维度,以山峦景致咏江山之胜,以贺兰晴雪为代表的景致呈现出书写群体对边地宁夏从疏离到欣赏的情感转向。二是文化空间维度,以塔林佛寺文庙反映儒释道三教相交融的文化氛围。三是心理空间维度,以历史遗迹抒怀古思今之情。明清贺兰山主题诗词的重要研究价值在于贺兰山文学景观的审美形象和文化内涵的变迁过程就是其逐渐与中原文化不断建立联结关系的过程,也见证了中华民族多元一体格局的演进轨迹。 展开更多
关键词 明清 贺兰山主题诗词 地理空间 文学景观 中华民族共同体
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