Traditional murals and their image remains are an important art category and visual language,as well as a special architectural type.Traditional murals are roughly divided into temples,grottoes,tombs and other types a...Traditional murals and their image remains are an important art category and visual language,as well as a special architectural type.Traditional murals are roughly divided into temples,grottoes,tombs and other types according to space,function and function.No matter what type of traditional mural,its basic function is to convey information through visual images.With the development and application of information technology and digital technology,traditional mural paintings have undergone changes in space,material,and form in the exhibition-gradually transitioning from ancient rock murals to multi-sensory participation under digital screen display.Because of the intervention of digital media,in many digital mural exhibitions in recent years,not only the spatial presentation and viewing of murals have formed a multi-dimensional visual correspondence but also the exhibition language of murals is enriched or supplemented.展开更多
This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijia...This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijiang,strengthen the protection and inheritance of Baisha murals in Lijiang,and change the teaching of art design majors in vocational colleges in Yunnan.Given the lack of traditional Chinese culture and local ethnic culture,this article focuses on the teaching of art design majors in Yunnan vocational colleges.It explores the construction model of the cultural inheritance and innovation carrier of Lijiang Baisha murals to meet the spiritual and cultural needs of the local people,and efforts will be made to promote the high-quality development of the Baisha ethnic area in Lijiang.展开更多
Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matt...Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matters are fulfilled.According to ancient legend,it was made by Emperor Ming of the Han Dynasty”(Daoxuan,Tang Dynasty,p.257).It can be seen that Buddhism has been introduced into Wutai Mountain since the Eastern Han Dynasty,and Buddhist temple murals have been painted on the walls of temples with the introduction of Buddhism,playing the role of spreading scriptures and decorating the walls.The pattern of Buddha’s futon base in the murals reflects the worship and rank differences of Buddhist monks in different periods.As a medium of meditation and worship,futuan is also a ritual instrument in Buddhist legend,which is of great significance.The research on the style of futon from the perspective of the frescoes in the temple of Wutai Mountain mainly focuses on the historical evolution of the frescoes and futon,the research and analysis of the base shape,pattern,composition and color of the futon in the frescoes of the temple.Explore the religious significance and historical and cultural value behind the futon style.展开更多
基金This study was supported by the“2019 Planning Fund Project for Humanities and Social Science Research,Ministry of Education,China”Project title:“Research on the Image of Utensils in the Remains of Ancient Murals in Shanxi-From Song and Jin to Ming and Qing”(approval number:19YJA760066).
文摘Traditional murals and their image remains are an important art category and visual language,as well as a special architectural type.Traditional murals are roughly divided into temples,grottoes,tombs and other types according to space,function and function.No matter what type of traditional mural,its basic function is to convey information through visual images.With the development and application of information technology and digital technology,traditional mural paintings have undergone changes in space,material,and form in the exhibition-gradually transitioning from ancient rock murals to multi-sensory participation under digital screen display.Because of the intervention of digital media,in many digital mural exhibitions in recent years,not only the spatial presentation and viewing of murals have formed a multi-dimensional visual correspondence but also the exhibition language of murals is enriched or supplemented.
文摘This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijiang,strengthen the protection and inheritance of Baisha murals in Lijiang,and change the teaching of art design majors in vocational colleges in Yunnan.Given the lack of traditional Chinese culture and local ethnic culture,this article focuses on the teaching of art design majors in Yunnan vocational colleges.It explores the construction model of the cultural inheritance and innovation carrier of Lijiang Baisha murals to meet the spiritual and cultural needs of the local people,and efforts will be made to promote the high-quality development of the Baisha ethnic area in Lijiang.
基金This study was supported by the“2019 Planning Fund Project for Humanities and Social Science Research,Ministry of Education,China”.Project title:“Research on the Image of Utensils in the Remains of Ancient Murals in Shanxi-From Song and Jin to Ming and Qing”(approval number:19YJA760066)This study was supported by the“Teaching Reform and Innovation Project of Higher Education Institutions in Shanxi Province in 2022”,Project title:“Teaching System Reform and Nurturing Practice of Visual Communication Design Major under the View of Double First-class”(Project No.J20220002).
文摘Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matters are fulfilled.According to ancient legend,it was made by Emperor Ming of the Han Dynasty”(Daoxuan,Tang Dynasty,p.257).It can be seen that Buddhism has been introduced into Wutai Mountain since the Eastern Han Dynasty,and Buddhist temple murals have been painted on the walls of temples with the introduction of Buddhism,playing the role of spreading scriptures and decorating the walls.The pattern of Buddha’s futon base in the murals reflects the worship and rank differences of Buddhist monks in different periods.As a medium of meditation and worship,futuan is also a ritual instrument in Buddhist legend,which is of great significance.The research on the style of futon from the perspective of the frescoes in the temple of Wutai Mountain mainly focuses on the historical evolution of the frescoes and futon,the research and analysis of the base shape,pattern,composition and color of the futon in the frescoes of the temple.Explore the religious significance and historical and cultural value behind the futon style.
